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Arts & Communication                                         Bakhtin and Groys: Pop culture and hieratic senses



              Mikhail Bakhtin and Boris Groys (alongside Raymond   la Hibridación. Calas: Ecuador; 2021. [Text in Spanish]
            Williams, Fredric Jameson, and Juri Lotman) position   8.   Jameson F.  Postmodernism, or, the Cultural Logic of Late
            themselves as critical cultural theorists who unveil deep   Capitalism. New York: Verso; 1992.
            memories that return as residual forms. They find in the
            popular scenes (even in the mass-produced commercials)   9.   Gómez Ponce A. Estéticas de la identidad: Yuri Lotman y
                                                                  la cultura masiva. RUS Rev Lit Cult Russa. 2023;14(24):292-
            a political potential that can account for the dynamics   310. [Text in Spanish]
            experienced by societies during their moments of
            transformation, as well as in those less evident sacred   10.  Žižek S, editor. Alfred Hitchcock, or, the form and its
            spaces where meaning changes go unnoticed. After all, as   historical mediation. In:  Everything You Always Wanted
            Groys  suggests,  “sacred  places  are,  by  definition,  closed,   to Know about Lacan (but Were Afraid to Ask Hitchcock).
                                                                  New York: Verso; 1992. p. 1-14.
            hidden, and dark places, and there are still such places in
            our globalized world.” 23, p.19                    11.  Gómez Ponce A. Volver a Bakhtin. Sobre El Gran Tiempo
                                                                  y Su Potencia Semiótica En La Cultura Posmoderna. In:
            Acknowledgments                                       Merkoulova I, Suárez-Puerta B, editors.  Reflections on
                                                                  Paths, Scenarios, and Semiotics Methodology Routes. Bogotá:
            None.                                                 International  Association  of  Semiotics  (IASS),  Federación

            Funding                                               Latinoamericana de Semiótica (FELS); 2021. p. 60-81.
                                                               12.  Groys B. Between Stalin and Dionysus: Bakhtin’s theory of
            None.                                                 the carnival. Dial Pedag J. 2017;5:1-5.
            Conflict of interest                                  doi: 10.5195/DPJ.2017.212

            The author declares no conflicts of interest.      13.  Fontán del Junco M. Boris  Groys: Una Museología de la
                                                                  Filosofía. In:  Ciclo Boris Groys: Lecturas Desde la Estética
            Author contributions                                  Contemporánea,  Conference. Madrid: Círculo de Bellas
                                                                  Artes; 2023. Available from: https://youtu.be/xihquqd6_mc
            This is a single-authored article.                    [Last accessed on 2024 May 10].
            Ethics approval and consent to participate         14.  Groys B. Introduction to Antiphilosophy. New York: Verso;
                                                                  2012.
            Not applicable.
                                                               15.  Arán PA. Herança de Bakhtin: Reflexões e Migrações (Seleção
            Consent for publication                               de Textos). Campinas: Mercado de Letras; 2024. [Text in
                                                                  Portuguese]
            Not applicable.
                                                               16.  Kristeva J.  The  Kristeva  Reader. New  York: Columbia
            Availability of data                                  University Press; 1986.
                                                               17.  Voloshinov V.  Marxism and the Philosophy of Language.
            Not applicable.                                       London: Seminar Press; 1973.
            References                                         18.  Kristeva J. Une poétique ruinée. In: Mikhail B, editor. La
                                                                  Poétique de Dostoievski. Paris: Éditions du Seul; 1963.
            1.   Bakhtin M. Rabelais and His World. Bloomington: Indiana   p. 5-27.
               University Press; 1984.
                                                               19.  Clark K, Holquist M.  Mikhail Bakhtin. Londres: Harvard
            2.   Williams R.  Politics of Modernism: Against the New
               Conformist. New York: Verso; 2020.                 University Press; 1984.
                                                               20.  Lotman J. The Unpredictable Workings of Culture. Tallinn:
            3.   Gómez Ponce A. Reveses del carnaval. Un materialismo   Tallinn University Press; 2013.
               cultural Para Mikhail Bakhtin. Refracción Rev Sobre Lingüíst
               Mater. 2022;6:261-282. [Text in Spanish]        21.  Emerson C. The Bakhtin of Boris Groys: Pro and contra.
                                                                  Dial Pedag J. 2017;5:1-6.
            4.   Lotman J. Culture and Explosion. Berlin: Mouton de Gruyter;
               2004.                                              doi: 10.5195/DPJ.2017.214
            5.   Jameson F.  The Antinomies of Realism. New  York: Verso;   22.  Sandler S. The pros and cons of deconstructing Bakhtin:
               2015.                                              A reflection on Boris Groys. Dial Pedag J. 2017;5:1-16.
            6.   Hall S.  Sin Garantías: Trayectorias y Problemáticas en      doi: 10.5195/DPJ.2017.217
               Estudios Culturales. Ecuador: Envión Editores; 2010.
                                                               23.  Groys B. Pensando en Bucle. Barcelona: La Virreina, Centre
            7.   Alabarces P. Pospopulares: Las Culturas Populares Después de   de la Imatge; 2020. [Text in Spanish]


            Volume 3 Issue 1 (2025)                         9                                doi: 10.36922/ac.3978
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