Page 200 - AC-3-2
P. 200
Arts & Communication Spanish art and its enemies
8. Januszczak W. The Sacred Made Real. The Sunday Times; 22. Sepúlveda PG. Diario. Madrid: Fábrica Nacional de Moneda
2009. p. 12-13. y Timbre; 1799.
9. Amelang JS. The sacred made real: Spanish painting and 23. Spanier S, Kale V, Mandel M, editors. The Letters of Ernest
sculpture 1600-1700. Sixt Century J. 2011;42(3):946-948. Hemingway 1934-1936. Vol. 6. United Kingdom: Cambridge
doi: 10.1086/scj23076484 University Press; 2024. p. 178-179.
10. Warburton W. The Works of Shakespeare. Vol 3. London: Mr 24. Mendelsohn J, Trusted M. Editors’ introduction. Hisp Res J.
Pope and Mr Warburton; 1747. p. 377. 2007;8(5):387-388.
11. Penny N, Powell EA III. Directors’ foreword. In: Bray X, doi: 10.1179/174582007X245267
editor. The Sacred Made Real: Spanish Painting and Sculpture 25. Monnington WT. Preface. In: The Golden Age of Spanish
1600-1700. London: National Gallery Company; 2009. p. 7. Painting. United Kingdom: Royal Academy of Arts;
12. Escobar J. Enlightenment erasure: The lost seventeenth 1976. p. 5.
century in Spanish architectural history. Hisp Res J. 26. De Salas X. Foreword. In: The Golden Age of Spanish Painting.
2022;23(5):430-451. United Kingdom: Royal Academy of Arts; 1976. p. 7.
doi: 10.1080/14682737.2023.2249385 27. Glendinning N. The Golden Age of Spanish Painting.
13. Symmons S. Goya in Pursuit of Patronage. London: Gordon United Kingdom: Royal Academy of Arts; 1976.
Fraser; 1988.
28. Clark K. Civilisation: A Personal View. London, England:
14. Ayala Mallory N, editor. Lives of the Eminent Spanish Painters BBC and John Murray; 1969.
and Sculptors by Antonio Palomino. United Kingdom: 29. Glendinning N. Goya and His Critics. New Haven: Yale
Cambridge University Press; 1987.
University Press; 1977.
15. Kent I, editor. Collecting Murillo in Britain and Ireland.
Spain: Centro de Estudios Europa Hispánica; 2020. 30. Kawase Y. Introduction. In: Imaged and Imagined: Spain Seen
Through Prints from Japanese Collections. Japan: Nagasaki
16. Macartney H. The Catholic question: Attitudes to Roman Prefectural Art Museum; 2021. p. 16.
Catholicism in nineteenth-century Britain and Ireland and
their impact on the reception of Spanish art. In: Glendinning N, 31. Chapman J, Chapman D. Flogging a Dead Horse: The Life
Macartney H, editors. Spanish Art in Britain and Ireland and Works of Jake and Dinos Chapman. New York, London,
1750-1920: Studies in Reception. Tamesis: Boydell and Milan: Rizzoli; 2011. p. 15.
Brewer; 2010. p. 150. 32. Shaw P. Abjection sustained: Goya, the Chapman brothers,
17. Elliot F. Diary of an Idle Woman in Spain. Vol. 1. Leipzig: and the disasters of war. Art Hist. 2003;26(4):480-501.
Tauschnitz; 1884. p. 89-90. doi: 10.1111/1467-8365.2604001
18. Gallichan MW. Things Seen in Spain. London: Kessinger 33. Baker S. The cruel practice of art. In: Jake and Dinos
Publishing; 1921. p. 64. Chapman, Like Dog Returns to its Vomit. London: Jay
19. Glendinning N, Macartney H, editors. Spanish Art in Britain Jopling, White Cube; 2005. p. 3-9.
and Ireland 1750-1920: Studies in Reception in Memory of 34. Reichs K. Fatal Voyage. United Kingdom: BCA Random
Enriqueta Harris Frankfort. Tamesis: Boydell and Brewer; House; 2001.
2010. p. 139-187.
35. Ruiz-Gómez N. Pathology and Visual Culture: The Scientific
20. Simon R. The sacred made real. Br Art J. 2009;10(2):84-86. Artworks of Dr Jean-Martin Charcot and the Salpêtrière
21. Hamerton PG. Goya. Portfolio. 1879;10:67-72, 88-86, School. Pennsylvania: Pennsylvania State University Press;
99-103. 2024. p. 92-107.
Volume 3 Issue 2 (2025) 11 doi: 10.36922/ac.3604

