Page 200 - AC-3-2
P. 200

Arts & Communication                                                          Spanish art and its enemies



            8.   Januszczak W.  The Sacred Made Real.  The Sunday Times;   22.  Sepúlveda PG. Diario. Madrid: Fábrica Nacional de Moneda
               2009. p. 12-13.                                    y Timbre; 1799.
            9.   Amelang JS. The sacred made real: Spanish painting and   23.  Spanier S, Kale V, Mandel M, editors. The Letters of Ernest
               sculpture 1600-1700. Sixt Century J. 2011;42(3):946-948.  Hemingway 1934-1936. Vol. 6. United Kingdom: Cambridge
               doi: 10.1086/scj23076484                           University Press; 2024. p. 178-179.
            10.  Warburton W. The Works of Shakespeare. Vol 3. London: Mr   24.  Mendelsohn J, Trusted M. Editors’ introduction. Hisp Res J.
               Pope and Mr Warburton; 1747. p. 377.               2007;8(5):387-388.
            11.  Penny  N,  Powell  EA  III.  Directors’  foreword.  In:  Bray  X,      doi: 10.1179/174582007X245267
               editor. The Sacred Made Real: Spanish Painting and Sculpture   25.  Monnington WT. Preface. In:  The Golden Age of Spanish
               1600-1700. London: National Gallery Company; 2009. p. 7.  Painting. United  Kingdom: Royal Academy of Arts;
            12.  Escobar J. Enlightenment erasure: The lost seventeenth   1976. p. 5.
               century in Spanish architectural history.  Hisp Res J.   26.  De Salas X. Foreword. In: The Golden Age of Spanish Painting.
               2022;23(5):430-451.                                United Kingdom: Royal Academy of Arts; 1976. p. 7.
               doi: 10.1080/14682737.2023.2249385              27.  Glendinning  N.  The Golden Age of Spanish Painting.
            13.  Symmons S. Goya in Pursuit of Patronage. London: Gordon   United Kingdom: Royal Academy of Arts; 1976.
               Fraser; 1988.
                                                               28.  Clark K.  Civilisation: A  Personal View. London, England:
            14.  Ayala Mallory N, editor. Lives of the Eminent Spanish Painters   BBC and John Murray; 1969.
               and Sculptors by Antonio Palomino. United  Kingdom:   29.  Glendinning N.  Goya and His Critics. New Haven: Yale
               Cambridge University Press; 1987.
                                                                  University Press; 1977.
            15.  Kent I, editor.  Collecting Murillo in Britain and Ireland.
               Spain: Centro de Estudios Europa Hispánica; 2020.  30.  Kawase Y. Introduction. In: Imaged and Imagined: Spain Seen
                                                                  Through Prints from Japanese Collections. Japan: Nagasaki
            16.  Macartney H. The Catholic question: Attitudes to Roman   Prefectural Art Museum; 2021. p. 16.
               Catholicism in nineteenth-century Britain and Ireland and
               their impact on the reception of Spanish art. In: Glendinning N,   31.  Chapman J, Chapman D. Flogging a Dead Horse: The Life
               Macartney H, editors.  Spanish Art in Britain and Ireland   and Works of Jake and Dinos Chapman. New York, London,
               1750-1920: Studies in Reception. Tamesis: Boydell and   Milan: Rizzoli; 2011. p. 15.
               Brewer; 2010. p. 150.                           32.  Shaw P. Abjection sustained: Goya, the Chapman brothers,
            17.  Elliot F. Diary of an Idle Woman in Spain. Vol. 1. Leipzig:   and the disasters of war. Art Hist. 2003;26(4):480-501.
               Tauschnitz; 1884. p. 89-90.                        doi: 10.1111/1467-8365.2604001
            18.  Gallichan MW.  Things Seen in Spain. London: Kessinger   33.  Baker S. The cruel practice of art.  In:  Jake  and  Dinos
               Publishing; 1921. p. 64.                           Chapman, Like Dog Returns to its Vomit. London: Jay
            19.  Glendinning N, Macartney H, editors. Spanish Art in Britain   Jopling, White Cube; 2005. p. 3-9.
               and Ireland 1750-1920: Studies in Reception in Memory of   34.  Reichs K.  Fatal Voyage. United  Kingdom: BCA Random
               Enriqueta Harris Frankfort. Tamesis: Boydell and Brewer;   House; 2001.
               2010. p. 139-187.
                                                               35.  Ruiz-Gómez N. Pathology and Visual Culture: The Scientific
            20.  Simon R. The sacred made real. Br Art J. 2009;10(2):84-86.  Artworks of Dr  Jean-Martin Charcot and the Salpêtrière
            21.  Hamerton PG. Goya.  Portfolio. 1879;10:67-72, 88-86,   School. Pennsylvania: Pennsylvania State University Press;
               99-103.                                            2024. p. 92-107.



















            Volume 3 Issue 2 (2025)                         11                               doi: 10.36922/ac.3604
   195   196   197   198   199   200   201   202