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Journal of Chinese
            Architecture and Urbanism                                                 The life and work of Arata Isozaki



            defies characterization as belonging to any single school of   unconventional and groundbreaking, like a real artist.
            thought (Figure 6a and b). His great personality, sense of   I learnt that architecture does not always have to be taken
            humor and fascinating, complex character, combined with   seriously.
            his modesty, and extraordinary generosity that has helped   Possessing a profound knowledge of architectural
            so many younger architects to launch their careers, will not   history and theory, I was always impressed by how
            be forgotten. Sir Peter Cook, a friend of Isozaki since the   well Isozaki knew the historical architecture of Ancient
            1960s, wrote in the obituary for Isozaki (2023):
                                                               China, as well as Vienna, Potsdam, and Munich, and the
               A personal loss, an architectural loss and a cultural   immense respect he had for the greats of the guild, such
               loss.  Arata  Isozaki  was  the  most  generous  and   as the Neoclassicists, Karl Friedrich Schinkel and Leo von
               supportive of friends: sometimes hiding the depth   Klenze, or Otto Wagner, but also the work of the German
               of his wisdom behind humor, sometimes acting    modernists such as Mies van der Rohe, Hilbersheimer,
               almost like a teacher, and always pointing to the   Scharoun, and Ungers, which he knew in detail.
               wider or deeper significance of things going on
               around. Immensely generous in introducing fellow   Five years before his death, Arata Isozaki donated his
               architects who might sometimes be regarded as   vast collection of books and drawings, and quietly moved
               rivals or eventual rivals without fear: this is very   with his partner, gallery owner Misa Shin, from Tokyo
               unlike most architects who are afraid to introduce   to Naha  on  the Japanese island  of Okinawa, in  search
               rivals (Extract from the obituary by Cook, 2023).  of warmer  climes, living along  the beach in a peaceful
                                                               residential neighborhood, from  where  he  continued to
              The world has lost an important cultural voice, a   work. His brain remained sharp until the end. In the past
            thought leader, and a brilliant, provocative and poetic   years, I had plans to visit him again in Japan; however, it
            mind. As discussed in this article, his thinking was not   never happened. I should have made it real. Now, it is too
            only shaped by a multitude of influences, by observing   late.
            the violence of war at the time he grew up but also by the
            immense optimism of this era. Early influences are critical   The  firm,  Arata  Isozaki  and  Associates,  has  decided
            to understanding how the characteristics of an artist’s work   to continue to operate after the passing of its founder,
            emerge, coined by early life experiences. The importance   informing their business partners: “The firm’s experienced
            of the early life of great creative leaders, and for that matter   team who worked closely with Arata Isozaki over the
            of any individual, cannot be overstated if we want to   years will continue to lead the ongoing projects around
            understand their actions in greater depth.         the world and seek new projects. Isozaki has left behind
                                                               a legacy of many built and unbuilt projects which provide
              I was lucky to know Arata Isozaki well. In the 1990s,
            we designed eight projects together – for sites in London,   the blueprint for a rich philosophy and unique design
            Vienna, and a series of German cities, including Berlin;   approach that will guide the firm’s efforts moving forward”
            of course, not all of them were realized. I am immensely   (Direct email communication, January 2023).
            grateful to have been given the opportunity to know him   A  true  visionary  and  master  architect,  Arata  Isozaki
            and work closely with him. What I remember best are our   died on December 28, 2022, at the age of 91.
            many trips together to visit sites or to give presentations;
            travels to the opening of the Venice Biennale in Italy and   Acknowledgments
            the Documenta exhibition in Kassel. In 1991 in Austria,   The author would like to thank Arata Isozaki and Associates
            we taught together at a design studio with Hans Hollein.   for making the images of sketches and photos available and
            Traveling with Isozaki meant that we always met up with   thanks also go to the two reviewers for their valuable and
            other architects of his caliber, on the global circuit: Stirling,   constructive feedback.
            Hollein,  Portzamparc,  Libeskind,  and  other  leading
            figures. Good food and red wine were appreciated. In the   Funding
            evening, we enjoyed attending concerts to listen to the
            music of avant-garde composers John Cage or Luigi Nono   No funding was provided.
            (both of whom he met); at the Musikverein in Vienna or   Conflict of interest
            the Philharmonie in Berlin, we would marvel at the perfect
            acoustics. Isozaki’s architecture was joyous and complex at   The author declares no conflicts of interest. The author
            the same time, and a celebration of independent thinking.   worked with Arata Isozaki and Associates in Tokyo from
            He was a stylish man and made it all look effortless. He   1990 to 1992 and subsequently collaborated as a project
            was  breaking  rules  by  creating  architecture  that  was   partner for buildings in Berlin (1993 – 2000).


            Volume 5 Issue 1 (2023)                         17                        https://doi.org/10.36922/jcau.353
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