Page 17 - JCAU-5-2

Journal of Chinese
Architecture and Urbanism Gestures for interdependence: Designing the unfelt

• For about 5 min, you walk around and study the Availability of data
other interventions.
• Choose another intervention — so not your own — Not applicable.
to continue working on. References
• After 10 min, take distance and switch positions.
• You can go on as long as you want. Agamben, G. (1999). In: Heller-Roazen, D., editor. Kommerell, or
On Gesture’ in Potentialities: Collected Essays in Philosophy.
(d) Presencing: Experience Stanford USA: Stanford University Press.
• Make a large circle with the whole group around Escobar, A. (2018). Designs for the Pluriverse. Durham UK:
your creations. Duke University Press.
• Walk around and observe your work in silence for
5 min. Groot Nibbelink, L. (2019). Nomadic Theatre, Mobilising Theory
• Notice how different assemblages make meaning. and Practice on the European Stage. Ch. 2. London, UK:
Encounter, Bloomsburry.
• Discuss your findings.
Haraway, D. (1988). Situated knowledges: The science question in
Acknowledgments feminism and the privilege of partial perspective. Feminist
Studies, 14: 580.
This paper is part of Breg Horemans PhD project RSD,
supervised by Rolf Hughes and Virginia Tassinari. The Kleine, H. (2017). The Drama of Space. Basel CH: Birkhauser
fieldwork is executed alongside projects of the TAAT arts Architecture.
collective as part of SoAP Maastricht (NL). Latour, B. (2015). Reassembling the Social. An Introduction to
Actor-Network Theory. UK: Oxford University Press.
Funding
Perez-Gomez, A. (2018). Built upon Love. Cambridge USA: The
The discussed fieldwork activities are financially supported MIT Press.
by the Department of Architecture of KU Leuven, campus Ranciere, J. (2013). Aesthesis. USA, UK: Verso Books New York-
Sint-Lucas, Ghent (BE), SoAP Maastricht (NL), Erasmus London.
exchange fund (for staff at KU Leuven), Arts Printing Ratti, C. (2016). Open Source Architecture. London, UK: Thames
House Vilnius, Vilnius Technical University, Embassy of and Hudson.
Inclusive Society (NL), iDrops (BE), and the Van Abbe
Museum in Eindhoven (NL). Rebentisch, J. (2012). Aesthetics of Installation Art. Cambridge
UK: MIT Press.
Conflict of interest Sedgwick, E. K. (1993). Touching Feeling: Affect, Pedagogy,
The authors declare that they have no competing interests. Performativity. Durham, UK: Duke University Press.
Sruti, B. (2018). Gestures of Participatory Art. Manchester UK:
Author contributions Manchester University Press.
This is a single-authored paper. Turner, C. (2015). Dramaturgy and Architecture, Theatre, Utopia
and the Built Environment. London, UK: Palgrave Macmillan.
Ethics approval and consent to participate
Tsing, A. L., Bubandt, N., Gan, E., & Swanson, H. A. (Eds.).
Consent-taking was not performed, as the contributions (2017). Arts of Living on a Damaged Planet. Minnesota:
were treated anonymously. University of Minnesota Press.
Vasquez, R. (2022). Vistas of Modernity. Amsterdam, NL:
Consent for publication Mondriaan Fund.
Consent-taking was not performed, as the contributions Wall Kimmerer, R. (2013). Braiding Sweetgrass. USA: Milkweed
were treated anonymously. Publishing Minneapolis.

Volume 5 Issue 2 (2023) 11 https://doi.org/10.36922/jcau.0358