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Arts & Communication Sublime and education in Schiller
Schiller shifts the sublime domain from the natural to the appearance”. Aesthetics as a challenge to the modern way of
artistic sphere, moving beyond Kant’s exclusion of any thinking. Contemp Aesthet J Arch. 2014;12(16).
affective involvement in the esthetic experience through 3. Buffagni P. Teleologia naturale nei “Kallias Briefe”. Schiller e
the tragic dimension. This process of theoretical reworking Kant tra organismo e opera d’arte. In: Il Confronto Letterario.
represents another example of Schiller’s attempts to Vol. 78. Pavia: Ibis; 2022. p. 63-77.
overcome the Kantian dichotomic system toward the 4. Schiller F. Theoretische schriften. In: Fricke G, Göpfert HG,
reconciliation of the natural and the spiritual that Hegel editors. Friedrich Schiller. Sämtliche Werke. Vol. 5. Darmstadt:
acknowledges to him in the famous introduction to his Wissenschaftliche Buchgesellschaft; 1987. p. 400.
Aesthetics. Our analysis underlined how the original 5. Schiller F. Theoretische schriften. In: Fricke G, Göpfert HG,
57
roots of this reflection lie in Schiller’s reformulation of the editors. Friedrich Schiller. Sämtliche Werke. Vol. 5.
Kantian notion of imagination in his early essay On the Darmstadt: Wissenschaftliche Buchgesellschaft; 1987.
Pathetic. This new concept of imagination, as a free and p. 571. Hinderer W, Dahlstrom DO, editors. Friedrich
intermediate faculty between senses and reason, grants a Schiller. Essays. New York: Continuum; 1993. p. 88.
place for the sublime in Schillerian teleology alongside the 6. Schiller F. Theoretische schriften. In: Fricke G, Göpfert HG,
beautiful and within the same project of man’s education, editors. Friedrich Schiller. Sämtliche Werke. Vol. 5. Darmstadt:
which Schiller will eventually fulfill in Concerning the Wissenschaftliche Buchgesellschaft; 1987. p. 468.
Sublime. In this regard, the dialectical interpretation of the
relationship between beauty and the sublime encompasses 7. Deligiorgi K. Grace as guide to morals? Schiller’s aesthetic
turn in ethics. Hist Philos Q. 2006;23(1):2.
the various instances of Schiller’s philosophical production
and highlights his pivotal role in the historical development 8. Kant I. Kritik der urteilskraft. In: Weischedel W, editor.
of esthetics. Werkausgabe. Vol. 10. Frankfurt am Main: Suhrkamp;
1968. p.245.
Acknowledgments 9. Schiller F. Theoretische schriften. In: Fricke G, Göpfert HG,
None. editors. Friedrich Schiller. Sämtliche Werke. Vol. 5.
Darmstadt: Wissenschaftliche Buchgesellschaft; 1987.
Funding p. 800. Hinderer W, Dahlstrom DO, editors. Friedrich
Schiller. Essays. New York: Continuum; 1993. p. 78.
None.
10. Sommer R. Grundzüge Einer Geschichte der Deutschen
Conflict of interest Psychologie und Ästhetik. Würzburg: Stahel; 1892. p. 391, 428.
11. Spranger, E. Schillers Geistesart, Gespiegelt in Seinen
The author has no conflicts of interest to declare. Philosophischen Schriften und Gedichten. Berlin: Verlag der
Author contributions Akademie der Wissenschaften; 1941. p. 33-38.
12. Vorländer K. Ethischer rigorismus und sittliche schönheit.
This is a single-authored article. In: Philosophische Monatshefte. Vol. 30. London, UK.
Forgotten Books; 1894. p. 225-280.
Ethics approval and consent to participate
13. Kühnemann E, editor. Schillers Philosophische Schriften und
Not applicable. Gedichte. Leipzig: Meiner; 1922. p. 31-37.
Consent for publication 14. Schiller F. Theoretische schriften. In: Fricke G, Göpfert HG,
editors. Friedrich Schiller. Sämtliche Werke. Vol. 5.
Not applicable. Darmstadt: Wissenschaftliche Buchgesellschaft; 1987.
p. 489-512. Hinderer W, Dahlstrom DO, editors. Friedrich
Availability of data Schiller. Essays. New York: Continuum; 1993. p. 22-44.
Not applicable. 15. Kant I. Kritik der urteilskraft. In: Weischedel W, editor.
Werkausgabe. Vol. 10. Frankfurt am Main.: Suhrkamp; 1968.
References p. 271.
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