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Arts & Communication                                                       Leonardo from Caffa in Crimea



            Christian, or Muslim. He seemed to have little interest   Renaissance Italy. Hong Kong: Lascar Publishing; 2015.
            in doing any painting. Antonio De’ Beatis, a visitor to   4.   Vecce C.  Il Sorriso di Caterina: La Madre di Leonardo.
            Amboise in 1517, said his excuse was an injured right   Florence: Giunti; 2023. p. 46-47.
            hand; yet, it is evident that the note-maker was left-
            handed. On the one hand, attributing these crucial   5.   Doğan H. Hidden Secrets in Mona Lisa: Islamic Codes of Da
                                                                  Vinci. Seattle: Amazon Kindle and Prime; 2017.
            documents to a man from Genoese-controlled Caffa in
            the Crimea puts the study of the Notebooks on solid   6.   Vezzosi A, Sabato A. The new genealogical tree of the
            ground. On the other hand, continuing to attribute    Da Vinci Family for Leonardo’s DNA. Ancestors and
            these documents to the Tuscan painter Leonardo da     descendants in direct male line down to the present XXI
            Vinci will result in further questions without answers,   generation. Hum Evol. 2021;36(1-2):1-90.
            further mysteries, and uncertainties and succeed only in      doi: 10.14673/HE2021121077
            continuing the loop where documents are attributed to   7.   Origo  I.  The domestic  enemy:  The Eastern slaves  in
            him because it is believed without challenge that he was   Tuscany in the fourteenth and fifteenth centuries. Speculum.
            the great genius who wrote the Notebooks.             1955;30(3):326.

            Acknowledgments                                    8.   Vasari G. In: Bondanella JC, Bondanella P, editors. The Lives
                                                                  of the Artists.  Translated with an introduction  and notes.
            None.                                                 Oxford: Oxford University Press; 1991. p. 292.
            Funding                                            9.   Frosinini C. Recto and verso, righwise and leftwise. Drawing
                                                                  8P of the Ufizzi Gallery: In search of the meaning. In:
            None.                                                 Barsanti R, editor. Leonardo in Vinci. At the Origins of the
                                                                  Genius. Florence: Giunti; 2019. p. 246.
            Conflict of interest
                                                               10.  Nicholl  C.  Leonardo da Vinci: The Flights of the Mind.
            The author declares no conflicts of interest.         London: Penguin Books; 2005. p. 49.
            Author contributions                               11.  Delorme A. Leonardo da Vinci’s First Drawing, Landscape
                                                                  of  the Arno  Valley (1473),  a Reflection  on the  Allegorical
            This is a single-authored article.                    Painting of Dante Alighieri’s Divine Comedy by Domenico di
                                                                  Michelino (1465). Academia.edu; 2022.
            Ethics approval and consent to participate
                                                               12.  Somel SA.  The A to Z of the Ottoman Empire. Lanham,
            Not applicable.                                       Maryland: Scarecrow Press; 2010. p. 35.
            Consent for publication                            13.  Imber C. The Ottoman Empire 1300-1481. Istanbul: The Isis
                                                                  Press; 1990. p. 225-228.
            Not applicable.                                    14.  Frazee CA.  Catholics and Sultans: The Church and the

            Availability of data                                  Ottoman Empire 1453-1923. Cambridge, UK: Cambridge
                                                                  University Press; 2006. p. 16.
            The authors confirm that the data supporting the findings   15.  Kemp M. Leonardo da Vinci: The 100 Milestones. New York:
            of  this  study  are  available  within  the  article  [and/or]  its   Sterling; 2019. p. 5.
            supplementary materials.
                                                               16.  Grundy SA.  More Than (2) Leonardo in Anti-Theory:
            Further disclosure                                    Mothers, Slaves, Imposters, Codes, Cross-dressers, and
                                                                  Collaborators. Google Play; 2023. p. 23, 89-91.
            Only  figures obtained from open-access sources were
            used in this work, and none of the chosen images require   17.  Available from: https://en-gb.topographic-map.com/map-
                                                                  bsjgp/crimean-peninsula [Last accessed on 2024 Jul 15].
            copyright permission.
                                                               18.  Grinevetsky SR, Zonn IS, Zhiltsov SS, Korsarev AN,
            References                                            Kostianoy AG. The Black Sea Encyclopedia. Berlin: Springer;
                                                                  2014. p. 295.
            1.   Jakubowska A, Radomska M, editors. Horizontal Art History
               and Beyond: Revisiting Peripheral Crucial Practices. Oxford:   19.  Available from: https://guidetocrimea.ru/sudak-genoese-
               Rutledge; 2023. p. 3.                              fortress [Last accessed on 2024 Feb 17].
            2.   Richter JP.  The Complete Notebooks of Leonardo da Vinci.   20.  Villata E.  1478, a Year in Leonardo da Vinci’s Career.
               Vol. 2. (1888). London: Dover Publications; 2016. p. 285.  Newcastle: Cambridge Scholars; 2021. p. 22.
            3.   Paratico A.  Leonardo da Vinci: A  Chinese Scholar  Lost in   21.  Villata E.  1478, a Year in Leonardo da Vinci’s Career.


            Volume 2 Issue 3 (2024)                         13                               doi: 10.36922/ac.2642
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