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Arts & Communication Leonardo from Caffa in Crimea
Christian, or Muslim. He seemed to have little interest Renaissance Italy. Hong Kong: Lascar Publishing; 2015.
in doing any painting. Antonio De’ Beatis, a visitor to 4. Vecce C. Il Sorriso di Caterina: La Madre di Leonardo.
Amboise in 1517, said his excuse was an injured right Florence: Giunti; 2023. p. 46-47.
hand; yet, it is evident that the note-maker was left-
handed. On the one hand, attributing these crucial 5. Doğan H. Hidden Secrets in Mona Lisa: Islamic Codes of Da
Vinci. Seattle: Amazon Kindle and Prime; 2017.
documents to a man from Genoese-controlled Caffa in
the Crimea puts the study of the Notebooks on solid 6. Vezzosi A, Sabato A. The new genealogical tree of the
ground. On the other hand, continuing to attribute Da Vinci Family for Leonardo’s DNA. Ancestors and
these documents to the Tuscan painter Leonardo da descendants in direct male line down to the present XXI
Vinci will result in further questions without answers, generation. Hum Evol. 2021;36(1-2):1-90.
further mysteries, and uncertainties and succeed only in doi: 10.14673/HE2021121077
continuing the loop where documents are attributed to 7. Origo I. The domestic enemy: The Eastern slaves in
him because it is believed without challenge that he was Tuscany in the fourteenth and fifteenth centuries. Speculum.
the great genius who wrote the Notebooks. 1955;30(3):326.
Acknowledgments 8. Vasari G. In: Bondanella JC, Bondanella P, editors. The Lives
of the Artists. Translated with an introduction and notes.
None. Oxford: Oxford University Press; 1991. p. 292.
Funding 9. Frosinini C. Recto and verso, righwise and leftwise. Drawing
8P of the Ufizzi Gallery: In search of the meaning. In:
None. Barsanti R, editor. Leonardo in Vinci. At the Origins of the
Genius. Florence: Giunti; 2019. p. 246.
Conflict of interest
10. Nicholl C. Leonardo da Vinci: The Flights of the Mind.
The author declares no conflicts of interest. London: Penguin Books; 2005. p. 49.
Author contributions 11. Delorme A. Leonardo da Vinci’s First Drawing, Landscape
of the Arno Valley (1473), a Reflection on the Allegorical
This is a single-authored article. Painting of Dante Alighieri’s Divine Comedy by Domenico di
Michelino (1465). Academia.edu; 2022.
Ethics approval and consent to participate
12. Somel SA. The A to Z of the Ottoman Empire. Lanham,
Not applicable. Maryland: Scarecrow Press; 2010. p. 35.
Consent for publication 13. Imber C. The Ottoman Empire 1300-1481. Istanbul: The Isis
Press; 1990. p. 225-228.
Not applicable. 14. Frazee CA. Catholics and Sultans: The Church and the
Availability of data Ottoman Empire 1453-1923. Cambridge, UK: Cambridge
University Press; 2006. p. 16.
The authors confirm that the data supporting the findings 15. Kemp M. Leonardo da Vinci: The 100 Milestones. New York:
of this study are available within the article [and/or] its Sterling; 2019. p. 5.
supplementary materials.
16. Grundy SA. More Than (2) Leonardo in Anti-Theory:
Further disclosure Mothers, Slaves, Imposters, Codes, Cross-dressers, and
Collaborators. Google Play; 2023. p. 23, 89-91.
Only figures obtained from open-access sources were
used in this work, and none of the chosen images require 17. Available from: https://en-gb.topographic-map.com/map-
bsjgp/crimean-peninsula [Last accessed on 2024 Jul 15].
copyright permission.
18. Grinevetsky SR, Zonn IS, Zhiltsov SS, Korsarev AN,
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Volume 2 Issue 3 (2024) 13 doi: 10.36922/ac.2642

