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Arts & Communication                                              On the interplay between painting and music



              In addition, the proposed conceptual model may pave   Acknowledgments
            the way toward the design of data models and information
            management  systems  that  will  support  content  creators   None.
            in various steps of the described process, from automatic   Funding
            identification and recommendation of such music-visual
            artwork pairs (based on their registered meta-data) to   This research was co‐financed by the European Union and
            retrieval and processing of related digital files.  Greek national funds through the Operational Program
                                                               Competitiveness, Entrepreneurship, and Innovation,
              An important aspect not covered in this work relates to   under the call RESEARCH–CREATE–INNOVATE
            the tailoring of content (i.e., selected visual artworks and   (project EPETAI code: T2EDK-05135).
            music songs) to the characteristics of different target groups.
            In the reported user study all participants were Greek, that   Conflict of interest
            is, had the same nationality, so the set of Artwork Cards
            that we shaped was accordingly European-focused, while   The authors declare they have no competing interests.
            ensuring that a few Greek visual artists were also represented.   Author contributions
            The effects of this choice were not examined in the study,
            yet a related participant’s comment has been reported,   Conceptualization: Maria Vayanou
            highlighting the under-representation  of Greek music in   Formal analysis: Maria Vayanou, Angeliki Chrysanthi,
            the devised set. Cultural attributes and personal preferences   Angeliki Antoniou, Akrivi Katifori
            may raise different user expectations and additional studies   Investigation: Maria Vayanou, Eirini Pirpasou
            are needed to explore how such aspects may be effectively   Methodology: Maria Vayanou, Angeliki Chrysanthi, Akrivi
            considered within the content creation process.       Katifori
                                                               Writing – original draft: Maria Vayanou, Angeliki Antoniou
              Finally, it is important to point out that, in the mobile-
            based flow of user actions presented in this paper, the   Writing – review & editing: Maria Vayanou, Angeliki
                                                                  Chrysanthi, Angeliki Antoniou
            visual artworks essentially provide the “entry points” to the
            digital experience, thus always transcending from visual   Ethics approval and consent to participate
            arts  to  music.  What  are  the  implications  of  this  order?
            Does it make the role of the artwork more prominent with   The study has been approved by the Ethics Committee of
            respect to the music piece’s? Would it make sense to go the   the Department of Informatics and Telecommunication
            other way around and scan music, as done with famous   of  the  National  and  Kapodistrian  University  of  Athens
            music discovery applications such as Shazam, to display   (approval  ID:  DIT_231120_01).  Informed  consent  was
            stories about related visual artworks? Moreover, in what   obtained from all subjects involved in the study.
            contexts? These are some issues that we plan to investigate
            further in our future work.                        Consent for publication
                                                               Informed consent for publication was obtained from all
            5. Conclusion                                      subjects involved in the study (some participants opted
            In this paper, we present our exploratory research work   not to have their photographs displayed on any publication
            on the communication of the open dialogue between   or dissemination materials, and their photographs are not
            visual artists and musicians to a “broader audience,”   displayed in this manuscript).
            that is, requiring no particular interest or knowledge of
            the related art fields. We describe the content creation   Availability of data
            approach we followed and present a six-layered conceptual   The data presented in this study are available on request
            model that captures the various related entities along   from the corresponding author. The data are not publicly
            with the relationships considered, showcasing its use as a   available  because they  include mainly the  participants’
            communication and analytical tool.                 perspectives and opinions and the participants do not feel
              Aiming to investigate the communicative effects of the   comfortable to release the data on the public platform.
            proposed approach and explore the potential user responses   References
            over the different connections we identified between
            music and visual artworks, we performed a qualitative   1.   Karel L. Comparative theories of visual art and music: May I
            user study with 15 participants. The preliminary results   play you a picture? McNair Scholars J. 2012;16(1):7.
            seem promising, indicating that this path warrants further   2.   Cristiá C. On the Interrelationship between Music and Visual
            investigations with a focus on content creation processes.  Art in the Twentieth and Twenty-first Centuries: A Possible


            Volume 2 Issue 4 (2024)                         10                               doi: 10.36922/ac.2367
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