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Arts & Communication                                               Tech revitalization of Yakshagana artifacts



            similar art forms make use of a variety of headdresses and   Writing – review & editing: Shashiraj Somayaji, Narahari,
            ornaments and employ musical instruments. However,    Shivashankar R. Srivatsa
            because noteworthy research has not been conducted on
            any of these aspects, future research on Yakshagana can   Ethics approval and consent to participate
            stimulate ideas and approaches that are relevant to other   Not applicable.
            traditional art forms.
                                                               Consent for publication
            5. Conclusion
                                                               Not applicable.
            Pioneering researchers must be mindful of the importance,
            necessity, and scope of a newly developing field of   Availability of data
            research. Artists and researchers are often unaware that
            many of the challenges in the field of art forms are within   Not applicable.
            the scope of technical research. In this study, the survey   References
            conducted among the stakeholders of Yakshagana clearly
            showed that many technological needs must be addressed.   1.   Binder  K.  A  world  of  many  colours:  Yakshagana
            In addition, it revealed various issues regarding costumes   rangabhoomi. Cracow Indol Stud. 2016;18:3-21.
            and musical instruments of Yakshagana in relation to the      doi: 10.12797/CIS.18.2016.18.02
            discipline of materials engineering. In this case, wood is   2.   Fakir N. Yakshagana. Theatre Street J. 2018;2(1):68-76.
            the primary material used for ornaments and musical
            instruments, while leather is used for the membranes   3.   Karanth S. Yakshagana bayalata. Indian Lit. 1959;3:127-130.
            and straps of musical instruments. However, a critical      doi: 10.2307/23329664
            need is to identify suitable replacements for wood and   4.   Bapat G.  Yaksagana: A  Semiotic Study [Ph.D. thesis].
            leather, which requires experimentation and testing,   Karnataka: University of Mysore; 1994.
            modeling, analysis, reverse engineering, use of composite
            material technology, additive manufacturing, vibration   5.   Ashton MB.  Yakshagana Badagatittu Bayalata: A  South
            and acoustic analysis, and advanced manufacturing     Indian Dance Drama [Ph.D. thesis]. Michigan: Michigan
            technology. Since there are so many other art forms with   State University; 1972. Available from: https://d.lib.msu.
            comparable requirements, research and development     edu/etd/45855/datastream/OBJ/view [Last accessed on 2024
            linked to one of them can be extended to the others.   Mar 14].
            Thus, this study’s findings will be valuable both for the   6.   Hegde G, Hegde G. A scientific view and analysis of theatre
            development of Yakshagana, in particular and traditional   art Yakshagana. Int J Vis Perform Arts. 2022;4:89-98.
            art forms, in general.                                doi: 10.31763/viperarts.v4i2.742

            Acknowledgments                                    7.   Aithal  VU.  Analysis  of  voice  in  Yakshagana  singers.  J  All
                                                                  India Inst Speech Hear. 2009;28:59.
            The authors would like to thank the B.M.S. College
            of Engineering for providing the necessary resources.   8.   Gunjawate DR, Aithal VU, Devadas U, Guddattu V.
            We are also grateful to Yakshagana artist and teacher   Evaluation of singing vocal health in Yakshagana singers.
                                                                  J Voice. 2017;31(2):253.e13-6.
            Sri K. Krishnamurthy Thunga for providing helpful
            suggestions and information. Finally, we are thankful      doi: 10.1016/j.jvoice.2016.06.022
            for all the survey participants for providing us with such   9.   Dubey V, Praveen Krishna IR. Theoretical and experimental
            important information for this study.                 studies on the vibration of membranes of mridangam. Appl
                                                                  Acoust. 2021;181:108121.
            Funding
                                                                  doi: 10.1016/j.apacoust.2021.108121
            None.
                                                               10.  Mohandas H, Padmanabhan C.  Mridangam Shell-
            Conflict of interest                                  cavity Analytical Acoustic Model for Shape Sensitivity
                                                                  Studies [Ph.D. thesis]. Universitätsbibliothek der RWTH
            The authors declare that they have no competing interests.  Aachen; 2019.
            Author contributions                               11.  Rucz P, Ulveczki MA, Angster J, Miklós A. Simulation
                                                                  of mallet percussion instruments by a coupled modal
            Conceptualization: Shashiraj Somayaji, Sangamesh C. Godi  vibroacoustic finite element model.  J  Acoust Soc Am.
            Writing – original draft: Shashiraj Somayaji          2021;149:3200.



            Volume 2 Issue 4 (2024)                         10                               doi: 10.36922/ac.3052
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