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Arts & Communication Tech revitalization of Yakshagana artifacts
similar art forms make use of a variety of headdresses and Writing – review & editing: Shashiraj Somayaji, Narahari,
ornaments and employ musical instruments. However, Shivashankar R. Srivatsa
because noteworthy research has not been conducted on
any of these aspects, future research on Yakshagana can Ethics approval and consent to participate
stimulate ideas and approaches that are relevant to other Not applicable.
traditional art forms.
Consent for publication
5. Conclusion
Not applicable.
Pioneering researchers must be mindful of the importance,
necessity, and scope of a newly developing field of Availability of data
research. Artists and researchers are often unaware that
many of the challenges in the field of art forms are within Not applicable.
the scope of technical research. In this study, the survey References
conducted among the stakeholders of Yakshagana clearly
showed that many technological needs must be addressed. 1. Binder K. A world of many colours: Yakshagana
In addition, it revealed various issues regarding costumes rangabhoomi. Cracow Indol Stud. 2016;18:3-21.
and musical instruments of Yakshagana in relation to the doi: 10.12797/CIS.18.2016.18.02
discipline of materials engineering. In this case, wood is 2. Fakir N. Yakshagana. Theatre Street J. 2018;2(1):68-76.
the primary material used for ornaments and musical
instruments, while leather is used for the membranes 3. Karanth S. Yakshagana bayalata. Indian Lit. 1959;3:127-130.
and straps of musical instruments. However, a critical doi: 10.2307/23329664
need is to identify suitable replacements for wood and 4. Bapat G. Yaksagana: A Semiotic Study [Ph.D. thesis].
leather, which requires experimentation and testing, Karnataka: University of Mysore; 1994.
modeling, analysis, reverse engineering, use of composite
material technology, additive manufacturing, vibration 5. Ashton MB. Yakshagana Badagatittu Bayalata: A South
and acoustic analysis, and advanced manufacturing Indian Dance Drama [Ph.D. thesis]. Michigan: Michigan
technology. Since there are so many other art forms with State University; 1972. Available from: https://d.lib.msu.
comparable requirements, research and development edu/etd/45855/datastream/OBJ/view [Last accessed on 2024
linked to one of them can be extended to the others. Mar 14].
Thus, this study’s findings will be valuable both for the 6. Hegde G, Hegde G. A scientific view and analysis of theatre
development of Yakshagana, in particular and traditional art Yakshagana. Int J Vis Perform Arts. 2022;4:89-98.
art forms, in general. doi: 10.31763/viperarts.v4i2.742
Acknowledgments 7. Aithal VU. Analysis of voice in Yakshagana singers. J All
India Inst Speech Hear. 2009;28:59.
The authors would like to thank the B.M.S. College
of Engineering for providing the necessary resources. 8. Gunjawate DR, Aithal VU, Devadas U, Guddattu V.
We are also grateful to Yakshagana artist and teacher Evaluation of singing vocal health in Yakshagana singers.
J Voice. 2017;31(2):253.e13-6.
Sri K. Krishnamurthy Thunga for providing helpful
suggestions and information. Finally, we are thankful doi: 10.1016/j.jvoice.2016.06.022
for all the survey participants for providing us with such 9. Dubey V, Praveen Krishna IR. Theoretical and experimental
important information for this study. studies on the vibration of membranes of mridangam. Appl
Acoust. 2021;181:108121.
Funding
doi: 10.1016/j.apacoust.2021.108121
None.
10. Mohandas H, Padmanabhan C. Mridangam Shell-
Conflict of interest cavity Analytical Acoustic Model for Shape Sensitivity
Studies [Ph.D. thesis]. Universitätsbibliothek der RWTH
The authors declare that they have no competing interests. Aachen; 2019.
Author contributions 11. Rucz P, Ulveczki MA, Angster J, Miklós A. Simulation
of mallet percussion instruments by a coupled modal
Conceptualization: Shashiraj Somayaji, Sangamesh C. Godi vibroacoustic finite element model. J Acoust Soc Am.
Writing – original draft: Shashiraj Somayaji 2021;149:3200.
Volume 2 Issue 4 (2024) 10 doi: 10.36922/ac.3052

