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Arts & Communication                                                   Art and culture in Nigeria architecture



              Common to many of Demas Nwoko’s works, Nigerian   integrates the art and culture of the old Benin tradition
            art and various crafts are well represented. Many times,   into new buildings within its vicinity.
            Demas uses sculptural forms that carry allegorical
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            meanings depicting certain cultural ideals Nwoko.  The   3.3. Oyo State Cultural Center in Mokola Ibadan,
            designer incorporates local art through local craftsmanship.   Nigeria
            To showcase his African architectural style, Demas invited   Completed in 1977, the Oyo state cultural center was
            local craftsmen to partake in the planning process, allowing   intended by Chief Obafemi Awolowo, the premier of the old
            them to express their skills and knowledge using different   western region at the time, to commemorate the festival of
            media. His contributions are evident in the elements that   art and culture for that year (FESTAC ‘77). The aim was to
            are used within the building, such as the intricate carvings   create a totem of the art and culture of western Nigeria. As an
            on columns and doors within the building. Demas    emblem of culture, the center became iconic to Oyo state and
            showcased his African style and techniques in the ways   its people in certain periods. Since then, the center has hosted
            mentioned above.                                   numerous events in various capacities, ranging from state-
                                                               organized programs to various privately organized events.
              As a cultural center, the building extensively reveals and
            celebrates the Indigenous lifestyle. Architectural elements   Perched beautifully atop the Mokola Hills, the cultural
            like courtyards are adopted from indigenous architecture,   center’s entrance is flanked by two elegant sculptures, as
            showcasing the traditional style of the area. Moreover, the   seen in  Figure  7. One sculpture depicts a man carrying
            artwork on display provides insights into the lives of the   a traditional Yoruba drum called the gangan, while the
            local people, highlighting the varied crafts and skill levels   other shows a man carrying a traditional Yoruba musical
            of the Benin community. Particularly, at the entrance of   instrument called the shekere. Both figures are gorgeously
            the building, numerous mural wall paintings can be seen   dressed in traditional Yoruba attires. The building
            above the entrance slab, with a Benin mother head (a   incorporates a great deal of elements that reflect Yoruba
            symbol of FESTAC 77) strategically placed at the center   culture and indigenous art, evident in the large sculptures
            of the murals. This prominent feature cannot be missed   at  the  entrance  of the  complex.  The  embellishments  on
            by the visitors while entering the building. The Benin   the walls, which include murals and sculpted patterns
            mother head is a symbolic art bronze casting typical of   of various kinds (Figure  8), express ideas and concepts
            the Benin people and represents the cultural and historic   adapted from Yoruba history and tradition.
            art style of the Ancient Benin Kingdom and its people.   The main building features a blend of curvilinear and
            In addition, the curvature visible on the façade walls of   rectilinear forms. The most prominent space in the complex is
            the building (to the right and left wings of the building   the main auditorium, which includes two elevated platforms:
            in Figure 4) represents the shape of the staff of the Oba of   The proscenium and the thrust. Offices are attached to the
            Benin (Figure 5). This remarkable architectural style by   back of the stage, arranged sequentially on two floors. The
            Demas integrates the art and culture of the Benin people   complex houses three halls: The main auditorium with a
            into their buildings. This approach is commendable as it   gallery, the rehearsal hall, and the cinema hall.
                                                                 A craft village is also located within the complex, at the
                                                               northeastern end of the main entrance. Buffered from the



















                                                               Figure  7. Exterior view toward the entrance of the Mokola cultural
            Figure 6.  Use  of  natural  materials  on  the  façade  of  the  Oba  Akenzua   center showing sculptures of Yoruba music makers. Source: https://www.
            cultural center. Source: Authors’ fieldwork in 2019  saeedahwits.com/2017/01/cultural-centre-mokola-ibadan


            Volume 2 Issue 4 (2024)                         7                                doi: 10.36922/ac.0333
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