Page 86 - AC-2-4

Arts & Communication Composition based on singing gestures

4. Mazzola G, Andreatta M. Diagrams, gestures and formulae 16. Norgaard M, Emerson SN, Dawn K, Fidlon JD. Creating
in music. J Math Music. 2007;1(1):23-46. under pressure: Effects of divided attention on the
improvised output of skilled Jazz Pianists. Music Percept.
doi: 10.1080/17459730601137716
2016;33(5):561-570.
5. Mazzola G, Mannone M, Pang Y, O’Brien M, Torunsky N.
All about Music: The Complete Ontology: Realities, Semiotics, doi: 10.1525/mp.2016.33.5.561
Communication, and Embodiment. Germany: Springer; 17. Eagle CT, Harsh JM. Elements of pain and music: The AIO
2016. connection. Music Ther. 1988; 7(1):15-27.
6. Mazzola G, Guitart R, Ho J, et al. The Topos of Music III: doi: 10.1093/mt/7.1.15
nd
Gestures. 2 ed., Vol. 3. Germany: Springer; 2018. 18. Johnson-Laird PN. How Jazz musicians improvise. Music
7. Alibali MW. Gesture in spatial cognition: Expressing, Percept. 2002;19(3):415-442.
communicating, and thinking about spatial information. doi: 10.1525/mp.2002.19.3.415
Spat Cogn Comput. 2005;5(4):307-331.
19. Pont G. Philosophy and science of music in ancient Greece:
doi: 10.1207/s15427633scc0504_2 The predecessors of Pythagoras and their contribution.
8. McNeill D. Gesture and Thought. Chicago: University of Nexus Netw J. 2004;6:17-29.
Chicago Press; 2008. doi: 10.1007/s00004-004-0003-x
9. Kendon A. Gesture: Visible Action as Utterance. Cambridge: 20. Kelly SD, Ngo Tran QA. Exploring the emotional functions
Cambridge University Press; 2004. of co-speech hand gesture in language and communication.
10. Kita S, Özyürek A. What does cross-linguistic variation Top Cogn Sci. 2023.
in semantic coordination of speech and gesture reveal?: doi: 10.1111/tops.12657
Evidence for an interface representation of spatial thinking
and speaking. J Mem Lang. 2003;48(1):16-32. 21. Lhommet M, Marsella SC. 19 Expressing emotion through
posture and gesture. In: The Oxford Handbook of Affective
doi: 10.1016/S0749-596X(02)00505-3 Computing. Oxford, UK: Oxford University Press; 2014.
11. Barrett LF, Adolphs R, Marsella S, Martinez AM, Pollak SD. p. 273.
Emotional expressions reconsidered: Challenges to inferring 22. Bartoli C. Opera Planet Cecilia Bartoli ‘Agitata da Due Venti’-
emotion from human facial movements. Psychol Sci Public Vivaldi 4K ULTRA HD. Video Time: 1’06”-1’08”. Available
Interest. 2019;20(1):1-68. from: https://youtu.be/2O9OfxS0r08?feature=shared [Last
doi: 10.1177/1529100619832930 accessed on 2018 Jul 04].
12. Dael N, Goudbeek M, Scherer KR. Perceived gesture 23. Didonato J. The Best Version of ‘When i am Laid in Earth’-
dynamics in nonverbal expression of emotion. Perception. Dido’s Lament (Purcell)-HD. Video Time: from 2’08’. Available
2013;42(6):642-657. from: https://youtu.be/3jPiYzUhGDo?feature=shared [Last
accessed on 2021 May 11].
doi: 10.1068/p7364
24. Mas H. Gounod Où Suis-Je?-O ma Lyre Immortelle|Héloïse
13. Mazzola G. Geometrie der Töne: Elemente der Mathematischen Mas-Queen Elisabeth Competition. Video Time:
Musiktheorie. Germany: Springer-Verlag; 2013. 8”22”-8”28”; 2018. Available from: https://youtu.be/
14. Porter E. Jeanne Lee’s voice. Crit Stud Improv/Études Crit ZP4BtO3H0No?feature=shared [Last accessed on
Improv. 2006;2(1):1-4. 2021 Apr 07].
doi: 10.21083/csieci.v2i1.53 25. Gheorghiu A. Tosca-Vissi d’arte (Angela Gheorghiu, The
Royal Opera). Video. Time for Loud Volume: 2’36”-2’45”.
15. House JS. The three faces of social psychology. Sociometry. Time for Soft Volume: 1’50”-2’01” Available from: https://
1977;40(2):161-177.
youtu.be/VRPDulYxIAc?feature=shared [Last accessed on
doi: 10.2307/3033519 2021 Nov 19].

Volume 2 Issue 4 (2024) 8 doi: 10.36922/ac.2625