Page 98 - AC-2-4
P. 98

Arts & Communication                                                  Inclusive musicking: A narrative inquiry



               student if he could borrow a violin sooner. Dr. A   series, “Space Battleship Yamato.” The homeroom
               noticed right away and handed K an unprepared      teacher told Dr. A that “Space Battleship Yamato”
               string that he had in his suitcase and had not been   was K’s favorite song. Dr.  A  immediately began
               placed on the violin. He asked K to see if he could   playing part of the melody on the violin, after
               make a sound. The unstrung string did not make a   which K stopped touching the tablet and watched
               sound, but several children gathered around K and   Dr. A. Since he did not know the song very well,
               tried various things together to see if they could   Dr. A gradually improvised a different melody, and
               make a sound. For example, two older students      before he knew it, it had quickly changed into the
               held the ends of the string and stretched them, while   theme song of “Lupin the Third.” Dr.  A laughed
               K attempted to make a sound by putting the bow     and said, “The Space Battle song disguised as the
               on the string. Although he enjoyed the activity for   Lupine song,” causing K to start laughing along
               about 3 min, K got angry when he could not get the   with his friends.
               right sound. K eventually ran out of the classroom      The children started searching for their favorite
               and into the hallway.                              songs on their own iPads. As soon as they found
               The vice-principal immediately ran out into the    the links, the first and second graders repeatedly
               hallway and chased K. Approximately 5 min later,   listened to the theme song of “Doraemon,” a popular
               K returned with the vice-principal. According to   anime. They also found and began comparing
               the teacher, K was upset because he could not get   different styles of performance and orchestration.
               a violin sooner. However, he understood that Dr. A   In this case, the third and fourth graders were
               needed time to prepare the instrument. At  that    practicing their favorite songs using practice tools.
               time, Dr. A had just finished preparing all of the   As for the girl who was playing the electronic
               violins and was bringing in an electronic keyboard   keyboard, she was also using a tablet to reproduce
               from the music room. Although the classroom        the sounds on the keyboard while looking at sheet
               did  not  have  an  electronic  keyboard,  he  thought   music. Some also practiced the Doraemon songs
               that the music would be enriched if an electronic   that the first and second graders found. Meanwhile,
               keyboard could accompany the violin. The principal   the fifth- and sixth-grade boys searched for various
               immediately accepted the idea, went to the music   violin performances, after which they showed Dr. A
               room with Dr. A, and brought one of the electronic   some performances by professional violinists. In
               keyboards into the special needs classroom.        some instances, Dr. A played the violin along with
               A fourth-grade girl immediately became interested   the music that the students found on the iPads and
               in the electronic keyboard and started making      provided explanations.
               sounds. A  university student who was good at      Moreover,  a  fifth-grade  female  student,  M,  was
               playing the piano sat next to the children and     absentmindedly and repeatedly playing a single
               improvised accompaniment to her melody. Several    rhythm on her violin, without paying attention to
               other children gathered around her, and some       the activities. The rhythm was a combination of four
               gradually began learning how to play the piano.    sixteenth notes and two eighth notes, “takataka,
               The three girls were fourth-grade students or older.   tatta.” Actually, the rhythm is used in the first step
               The university students enjoyed playing together   of the world-famous Suzuki method for violin
               while teaching piano to children.                  studies. Dr. A said to M, “Wow, you’re playing the
               Meanwhile, the boys in the third to sixth grades,   rhythm very well,” and went on to teach the rhythm
               including K, brought out their iPads and began     to everyone to play as an ensemble. M gave a big
               searching for various things. In recent years, it   nod to Dr.  A’s idea and continued to repeatedly
               has become common for every child in Japanese      practice the same rhythm. Dr. A improvised a sub-
               elementary schools to have their own tablet device,   melody on the violin to accompany M’s playing by
               such as an iPad, to participate in the classroom   using open strings, after which he had the ensemble
               and  learning  activities.  The  third  and  fourth-  perform the melody. M was surprised and happily
               grade students began independently practicing on   told his homeroom teacher, “I made  it!” Some
               a virtual piano, looking at a website that showed   students stopped their activities, listened to the
               them how to play a song that the students played   ensemble, and gave them applause.
               together at a school recital several months earlier.     It was approximately 11:50. The classroom was
               K was also holding a tablet, searching for his favorite   filled with the sounds of each student practicing,
               song, the theme song of the well-known animated    including M repeatedly playing the same rhythm.


            Volume 2 Issue 4 (2024)                         5                                doi: 10.36922/ac.2747
   93   94   95   96   97   98   99   100   101   102   103