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Arts & Communication                                          Integrating films in city planning and urban design



              Carefully curated viewing exercises and original   Further disclosure
            methodologies that we have developed in our urbanism
            studios can elucidate urban theories and stimulate deeper   Although this paper shares part of the same title, “Cinematic
            intellectual engagement with the material. Moreover, the   Urbanism,” and discusses cinema in relation to urbanism, it is
            insights gained through cinematic urbanism are invaluable   distinct from Cinematic Urbanism: A History of the Modern
            for informing urban policy and practice, as they offer   from Reel to Real by Nezar AlSayyad (Routledge, London,
            policymakers and practitioner’s alternative perspectives on   2006), which explores the urban history of modernity and
            urban challenges and innovative approaches to addressing   postmodernity through the lens of cinema. This paper
            them. Nonetheless, it is imperative that educators   does  not share the same outlook, discourse, or  focus as
            meticulously select films that align with pedagogical goals,   AlSayyad’s book and is entirely different in its content. The
            ensuring that the content is both relevant and enriching.   title Cinematic Urbanism was chosen for its relevance to the
            Ultimately, the intersection of cinematic urbanism and   paper’s themes, and although AlSayyad’s work is cited as one
            educational practice presents fertile ground for exploration,   of the references, the paper’s title is presented in a completely
            with vast potential to deepen our understanding of urban   different and original context, so that there won’t be any
            development, both past and present.                potential confusion or possible discontent.

            Acknowledgments                                    References
                                                               1.   Friedberg A. Window Shopping: Cinema and the Postmodern.
            The author would like to thank his former colleague Dr. Ryan   Berkeley, CA: University of California Press; 1993.
            Locke (Program Director MA, Senior Lecturer, Kharkiv
            School of Architecture (KhSA), Lviv, Ukraine) for developing   2.   Shiel M, Fitzmaurice T. Screening the City. London: Verso;
            the studio filmography for two masters’ programs in urban   2003.
            planning and design and urbanism and for long and fruitful   3.   Bruno G. Atlas of Emotion: Journeys in Art, Architecture, and
            discussions on the subject and joint development of some   Film. New York: Verso; 2002.
            exercises. In addition, he is very grateful to Roy Strickland,   4.   Sammon PM.  Future Noir: The Making of Blade Runner.
            March., professor emeritus of architecture and urban design   New York: Harper Collins; 1996.
            in the A. Alfred Taubman College of Architecture and   5.   Neumann D.  Film Architecture: From Metropolis to Blade
            Urban  Planning,  University  of  Michigan  Ann  Arbor,  for   Runner. New York: Princeton Architectural Press; 1996.
            introducing him in 2005 to his pedagogy and methodology
            as well as the idea of “Learning from Film” in the Masters   6.   Huyssen A. Other Cities, Other Worlds: Urban Imaginaries
            of Urban Design (MUD) program that he was the former   in a Globalizing Age. Durham, NC: Duke University Press;
            director of. Those ideas were the foundation for developing   2008.
            such a cinematic urbanism approach at KTH from 2006 to   7.   Merrifield A. Metropolitan Mess: Explorations in City Theory.
            2016 and from 2016 to 2021.                           Minneapolis, MN: University of Minnesota Press; 2002.
                                                               8.   Gehl J. Cities for People. Washington, DC: Island Press; 2010.
            Funding
                                                               9.   Giddings B, Horne R. Urban Design: Method and Techniques.
            None.                                                 London, England: Architectural Press; 2002.
            Conflict of interest                               10.  AlSayyad N. Cinematic Urbanism: A History of the Modern
                                                                  from Reel to Real. New York: Routledge; 2006.
            The author declares no competing interests.
                                                               11.  Clarke DB. The Cinematic City. London, England: Routledge;
            Author contributions                                  1997a.
                                                               12.  Dimendberg E.  Film Noir and the Spaces of Modernity.
            This is a single-authored article.                    Cambridge, MA: Harvard University Press; 2004.
            Ethics approval and consent to participate         13.  Mennel B. Cities and Cinema. New York: Routledge; 2019.
            Not applicable.                                    14.  Clarke DB. Previewing the cinematic city.  Film Stud.
                                                                  1997b;1(1):18-30.
            Consent for publication                               doi: 10.7227/CFS.1.1.3
            Not applicable.                                    15.  Koeck R, Roberts L, editors. The City and the Moving Image:
                                                                  Urban Projections. London, England: Palgrave Macmillan;
            Availability of data                                  2010.
            Not applicable.                                    16.  Bailey J. Fun City Cinema: New York City and the Movies that


            Volume 3 Issue 1 (2025)                         14                               doi: 10.36922/ac.4130
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