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Arts & Communication                                               Music and sound in Greek TV commercials



            of summer fun in just 36 s, blending traditional Greek   all the characters enjoying Loux, reinforcing the idea that
            elements with modern pop culture.                  the drink unites people of all ages and backgrounds for a
              The ad opens with a young tourist holding a map and   shared experience of summer joy. The final tagline, “I like
            camera, searching for a Loux orange juice. As a bottle   to Loux-out summer,” solidifies the brand’s association
            of Loux is opened, the distinctive sound triggers a lively   with fun, energy, and the Greek island lifestyle.
            bouzouki-led dance-pop arrangement in a C minor scale,   Throughout the commercial, there’s a seamless blend
            setting the tone for an island-wide celebration.   of  traditional  Greek elements  –  such  as  the  bouzouki
                                                               (a traditional Greek instrument), the island setting, and
              The presence of a 20-year-old young man symbolizes
            the target demographic of adventurous, enthusiastic   the elderly man in traditional dress – with modern pop
                                                               culture references and dance moves. This fusion creates
            consumers. His initial confusion—holding the map   a unique identity for Loux as a brand that honors Greek
            of Naxos upside down—sets the stage for a journey of   traditions while embracing contemporary fun. The use of
            discovery. This narrative device engages  the viewer by   the well-known song I like to move it by Reel 2 Reel as
            creating a relatable protagonist. As the story unfolds, a   the base for the Loux jingle provides a familiar hook for
            diverse cast of characters is introduced, including a blonde   viewers, while the Greek lyrics (Table 3) and setting give it
            woman dancing, an elderly gentleman, a shepherd, a little   a distinct local flavor. The commercial effectively positions
            girl, and a fisherman. This eclectic mix of individuals   Loux not just as a refreshing drink but as a catalyst for
            represents various aspects of Greek culture and lifestyle,   joy, dance, and community spirit on the beautiful island
            effectively broadening the appeal of the product across   of Naxos.
            different age groups and social backgrounds.
                                                                 The advertisement’s soundtrack plays a crucial role in
              The music guides the audience through a series of   creating a cohesive and memorable experience. The audio
            colorful vignettes that display the diverse inhabitants of   begins with the distinctive sound of a bottle opening, then
            Naxos embracing the Loux spirit. In front of a cafe, a blonde   shifts into a dance-pop arrangement featuring the bouzouki.
            woman dance, while an elderly gentleman in traditional   This fusion of modern and traditional components in the
            black  attire sways his  cane to the rhythm, sipping Loux   music mirrors the brand’s positioning as a contemporary
            orange juice instead of the more typical Greek coffee. This   product with strong cultural roots. Using a cover version of
            scene cleverly juxtaposes old-fashioned and contemporary   the famous song I like to move it with altered Greek lyrics
            features, highlighting how Loux brings together different   to create an instant connection with the audience while
            generations. As the catchy refrain “I like to Loux-out   establishing a characteristic brand identity.
            dancing” kicks in, the commercial shows various islanders
            caught up in the Loux fever.                       Table 3. Loux orange juice – “I like to Loux‑out dancing”
                                                               (2018)
              A shepherd dances on a hilltop, surrounded by goat –
            a nod to Naxos’ cheese-making tradition. A little girl in a   #                   Translated lyrics
            diving mask performs in front of a school adorned with                        (Give it!)
            sea-life murals, emphasizing the island’s connection to   1                   I like to Loux‑out dancing
            the sea. A barefoot fisherman grooves to the music from   2                   I like to Loux‑out dancing
            his transistor radio, blending traditional island life with
            modern Loux vibes. The protagonist’s journey through   3                      I like to Loux‑out dancing
            Naxos becomes a quest to find the source of this infectious   4               Do you like to Loux‑out?
            energy. He encounters twin girls on the beach in summery                      (Give it!)
            outfits, blending traditional and freestyle dance moves.   5                  I like to Loux‑out summer
            Bottles of Loux bounce to the beat on stone terraces, and   6                 With a Loux in hand
            oranges leap in rhythm, visually representing the drink’s   7                 I like to Loux‑out summer
            vibrant flavor.                                    8                          Do you like to Loux‑out?
              The commercial cleverly fuses the words “Loux” and                          (Give it!)
            “dance,”  creating  a new idiomatic  phrase  (“Loux-out   9                   I like to Loux‑out summer
            dancing”) that encapsulates the vitality and well-being   10                  I like to Loux‑out summer
            associated  with  the  drink.  This  wordplay  is  emphasized   11            I like to Loux‑out summer
            when the tourist finally reaches a Loux stand, takes a
            sip, and immediately starts “Loux-out dancing” with   12                      Do you like to Loux‑out?
            newfound energy. The ad concludes with a montage of                           (Give it!)


            Volume 3 Issue 2 (2025)                         14                               doi: 10.36922/ac.4374
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