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Arts & Communication                                               Music and sound in Greek TV commercials



            The analytical part of the research highlights the structural   of the ad is “Better together.” Across a combination of
            analysis  of  the  audio,  verbal,  and  visual  material  and   visual, auditory, and textual elements, the advertisement
            their relationship with the message and purpose of the   emphasizes family unity and Coca-Cola’s role in facilitating
            advertisement. The two main categories are image and   these connections.
            music analyses. Within these two categories, smaller units   Carefully  chosen  musical  elements  accompany  the
            emerged such as the directorial approach to advertising,   five distinct scenes. The opening scenes feature a brief
            the general context, social values and standards, the   introductory piece with a tempo of 80 BPM in a 12/8 blues
            interactions of the individual elements to show the final   style, set in G major. The instrumentation, presumably
            meaning, distinct symbols, and signs, and the role of   digital, includes keyboards, drums, and guitars. This
            the cognitive approach to advertising, considering the   musical introduction establishes a nostalgic and emotional
            aforementioned theories on the relationship between   tone for the narrative.
            moving images and sounds.
                                                                 The  visual  storyline  begins  with  images  of  parents
              The  qualitative  research  utilized an  analytical  table   observing their child’s early developmental milestones,
            with  its main  columns/categories  being  scene,  time,   such as crawling and taking their steps. These scenes are
            music, image, and comments. The term “scene” refers to   accompanied by captions that highlight the challenge of
            changes in scenes, actions, or images. “Time” was related   maintaining close relationships with children as they grow
            to the duration of each part of the commercial, whereas   up. The opening scenes evoke feelings of joy and parental
            “music” covered all the audio elements. Anything related   pride. The third scene depicts a mother smiling as she
            to the visual aspect belonged to the “image” column. In   sends her child off to school, continuing the joyful tone.
            the  “comments”  section,  additional  observations  were   However, the fifth introduces a shift in emotion, showing
            included, which were helpful in the detailed review of each   a teenager entering the house without acknowledging
            advertisement.                                     his mother and isolating himself in his room. This visual
              The emotional tone of the plot is essential and was, thus,   progression is mirrored in the background lyrics (Table 2),
            separately analyzed in each advertisement. Advertising is a   which transition from “laughed” to “left,” symbolizing the
            simplified form of art, much less complex than the art of   emotional  distance  between parents and  their  teenage
            cinema, so the emotional context is usually quite distinct.   children.
            The interdisciplinary approach proposed by Salgar forms a   Each image evokes a range of emotions, from joy
            basis for analyzing the commercials under consideration.    to anguish, with the primary purpose being to move
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            The selected advertisements were created by both   the audience. The emotional charge adds depth to
            multinational and well-known domestic companies in the   the advertisement and contributes to the dynamic
            Greek market. Aired during prime-time viewing hours   development of its plot. Musically, the commercial follows
            on major private channels, the advertisements targeted a   a linear and dynamic melodic course, building to a gradual
            broad audience by associating commodities with everyday   climax. This technique gives the music both expressive and
            needs and emphasizing happiness, quality, and status,   temporal functions. The powerful combination of visual
            which would resonate with households across the nation.   and auditory elements taps into viewers’ instincts, leading
            Presented below are six case studies, spanning from 2015   them to respond emotionally rather than logically. The ad’s
            to 2020, that illustrate both the symbolic interpretations   argument (“Better together”) carries social significance and
            of the commercials’ content and the methodology of the
            audiovisual analysis used.                         Table 2. Bring it home to me by Coca‑Cola – “Better
                                                               together” (2015)
            6.1. Case study I: Bring it home to me by Coca-Cola –
            “Better together” (2015)                           #                               Original lyrics
            The advertisement for the renowned multinational soft   1                      You know I laughed, ha ha?
            drink company Coca-Cola is a succinct and emotionally   2                      When you left
            rich narrative lasting approximately 29 s. This ad presents   3                But now I know
            five main scenes depicting the progression of family life. In   4              I only hurt myself
            particular, it visually narrates a child’s development from   5                Bring to me
            taking their first steps to achieving independence during   6                  Bring your sweet loving
            adolescence. Each step of development features different
            characters, creating an impression of a parallel timeline,   7                 Being it home to me
            although the storyline itself is linear. The main message   8                  Yeah


            Volume 3 Issue 2 (2025)                         10                               doi: 10.36922/ac.4374
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