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Arts & Communication                                               Music and sound in Greek TV commercials



            linear sequence through which the advertising message   The role of music in advertisements can vary widely.
            progresses. Initially, the source of the message establishes   Sometimes it serves as a subtle backdrop (background
            contact with the potential customer. This initial reach-out   music) that enhances the overall atmosphere without
            is crucial, setting the stage for all subsequent interactions.   drawing attention to itself. At other times, it is prominently
            Once contact is established, the recipient embarks on a   featured (foreground music), commanding the viewer’s
            complex psychological and cognitive journey. This process   attention and becoming a central element of the
            unfolds hierarchically, with each step building upon the last:   commercial’s impact. Foreground music directly influences
            Exposure – Attention – Comprehension – Interpretation   emotions and makes the ad more memorable, but it risks
            – Attitude Formation. The goal of this carefully crafted   overshadowing the main message. It often reinforces the
            journey is to inspire action, which could manifest as a   narrative through tone or lyrics. In contrast, background
            purchase or even advocacy for the product. The new or   music enhances the mood of the ad without distracting
            reinforced attitude serves as a bridge, connecting the   viewers’ attention from the visuals or dialogue. Both
            cognitive processes to tangible outcomes. 14       approaches can effectively shape audience engagement,

              The impact of music and its extramusical attributes has   but their use depends on whether the goal is to evoke a
            been shown to manipulate various psychological variables,   strong emotional response or subtly complement the ad’s
            such as mood and purchase intention, either positively or   content. 21
            negatively. The musical elements may include tempo, speed,   The processing of advertising information is an
            rhythm, and tonal function. Extramusical elements – those   inherently cognitive process that requires critical analysis
            aspects beyond the inherent properties of the music itself –   of its  meaning. The aim  is to encourage  the audience
            usually pertain to the approach of advertising, its duration,   to engage with the content and persuade them of the
            brand recall, and how the advertising message is processed. 14  product’s value. An emotional reaction to a product helps
              To better understand these two properties regarding   establish a basis for communication. As a strategic tool,
            sound and advertisements, Dyer suggests two types of   music stimulates and amplifies these emotions, playing
            analysis: (a) Non-textual and (b) Textual.  Non-textual   a crucial role in both the execution and effectiveness of
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            analysis relates to the meaning that the creator and the   advertisements as it significantly influences and fulfills
            viewer’s attribute to the work, whereas textual analysis   their promotional objectives.
            is usually conducted by an analyst or expert who tries to   Building on these theoretical insights, this paper explores
            signify particular content. The primary step of this practice   the function of music and audio in television ads and
            is to define the topic of the commercial, which will then   their contribution to the overall impact. It systematically
            lead to uncovering its overall meaning. 20         examines these elements based on established analytical
              Finally, Anisimova et al. in their research on popular   standards, providing a comprehensive understanding of
            music and lyrics in audiovisual advertising identified four   their role in TV advertising.
            main functions: (a) Focusing on emotion, (b) Highlighting   5. Data and methods
            the protagonist’s relationship with the company or
            product, (c) Emphasizing the narration, and (d) Portraying   This study forms part of a broader research project that
            the protagonist’s central image.  These findings provide   progressed through stages of theoretical foundations,
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            valuable insights into how audio elements can be   analysis, and interpretation. It employs a systematic
            strategically employed to enhance marketing effectiveness   approach to examining advertisements, utilizing a custom
            in television and similar media. 21                analytical table of elements. The insights derived from
              Following this rationale, studies have demonstrated that   this comprehensive data breakdown have been integrated
            incorporating popular music into advertising campaigns   into the commentary section, enriching the analysis of the
            can profoundly influence viewer engagement and shape   case studies. By applying this interpretive model, the study
            brand perception. An important theme that emerges is   yielded critical findings regarding the commercials under
            that popular music attracts more attention than an original   examination.
            instrumental piece, especially when it includes variations   As previously discussed, the theoretical framework
            of well-known verses to promote the sponsor.  Viewers   draws on fundamental concepts from renowned scholars
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            experience a sense of security through familiar sounds or   on musical meaning and music as a cultural practice.
            songs, fostering trust between consumers and producers   The empirical section applies these concepts to Greek
            while strengthening product association.  In this way, the   television advertisements, analyzing them in chronological
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            public helps shape what is considered popular music and   order. A primary limitation of this chronological analysis
            vice versa.                                        is the inadequate access to archival material; many older


            Volume 3 Issue 2 (2025)                         8                                doi: 10.36922/ac.4374
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