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Arts & Communication                                                    The rise and fall of global art worlds



            acquisitions, which included a US$45 million 600-year-old   purchase price less than a decade ago. The auction
            silk wall hanging in 2014 and US$170.4 million Amedeo   included works by Rene Magritte and David Hockney,
            Modigliani’s painting  Nu Couché  (1917) in 2015. In the   with Sotheby’s estimating the auction would raise between
            same year, they spent US$42.8 million on Modigliani’s   US$95 and US$135 million. However, the sale fell short of
            painting  Paulette  Jourdain  (1919). In  A  Modern  History   this estimate. The overall result, including premiums, was
            of China’s Art Market  (2023), Keija Wu notes that the   US$69.5 million, with a sell-through rate of 74% as 10 works
            Long Museums “house thousands of artworks in Liu’s   were unsold. Sotheby’s guaranteed seven works, including
            permanent collection,”  although the exact number of   Paulette Jourdain,  for  approximately  US$45  million   as
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            works is not specified. This lack of transparency makes it   Sotheby’s narratives amplified perceptions of artistic value,
            difficult to assess the depth of the Long Museum’s holdings.   the status of collectors, and the public spending of large
            However, Liu and Wang are part of a growing group of   sums of money on art to attract international buyers.
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            entrepreneurial investor-collectors who have benefited   Even so, the perception was quite the opposite as many
            from China’s economic growth, capturing global attention   have argued that the decision to bring the disparate
            through their acquisitions of traditional Chinese, modern,   works into the market appeared to lack the gravitas often
            and contemporary international art. 6              associated with significant sole-owner collections,  as
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              While Liu and Wang made international headlines with   evidenced by the sale of the Olbricht collection discussed
            their extravagant purchases, they also attracted attention   in the following passages.
            when they offered their holdings to Sotheby’s Hong Kong   Sotheby’s sale event, “The Now Auction” in New York
            on October 5, 2023. The auction featured 39 works of art   (November 15, 2023), offered four additional works from
            from their collection. Promoted as “the largest from a single   Liu and Wang’s holdings, with each work falling below or
            owner that the auction house has held in Asia,”  the high-  meeting the low estimates. This included Marlene Dumas’s
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            profile sale was titled “A Long Journey: A Selection from the   painting Love Your Neighbor (1994), Kerry James Marshall’s
            Liu Yiqian and Wang Wei Collection” (Lots 8501 – 8540).   Plunge (1992), and Jenny Saville’s large painting Shift (1996
            The title “A Long Journey” not only implied an extensive   – 1997). The auction house took a different approach with
            collecting history but also referenced the three Long   Gerhard Richter’s monumental piece Strip (2015) as they
            Museums that Liu and Wang established in Shanghai and   were concerned that it would fail to reach an estimate of
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            Chongqing since 2012  and the symbolic value associated   US$2 – 3 million when they accepted New York art dealer
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            with both the collectors and their private museums.  Liu   Leo Koenig’s low irrevocable bid of US$1 million. Much to
            and Wang closed the Long Museum in Shanghai Pudong   Koenig’s surprise, Sotheby’s accepted the offer to minimize
            in 2023, and remained closed for much of the year and at   their financial burden as all works were guaranteed by
            the time of writing. Similarly, the museum in Chongqing   Sotheby’s.  Koenig was clearly taken aback by Sotheby’s
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            ceased its exhibition program, leaving only the West Bund   eagerness to accept what may have been an unrealistic
            site open to the public without interruption.      offer, shedding light on Sotheby’s decision to minimize the
              Sotheby’s toured the collection to five destinations before   negative impact should such a significant work fall short of
            returning to Hong Kong. The first exhibition was held at   the market’s expectations. Overall, both the New York and
            Sotheby’s Shanghai office in late August, before moving   Hong Kong sales delivered less-than-satisfactory results
            to  Beijing,  Taipei, and  Seoul  and  concluding  at  Fong-Yi   and failed to meet Sotheby’s expectations.
            Art Gallery, Taichung, from September 20 to 21, 2023.    It is unclear why Liu and Wang are selling works from
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            Sotheby’s heavily invested in marketing the sale on social   the Long Museum’s collection amid slow financial markets
            media, producing extended videos that featured glowing   and somewhat diminished returns. Hence, many were
            testimonials about both the artworks and collectors,   not surprised to see several pieces being sold below the
            and impressive gallery installation views that displayed   low estimates.   Artnet Price Database reported that the
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            the  works  in  the  most  favorable  light.  A  comprehensive   sale of works from Liu and Wang’s holdings was perhaps
            catalog included photographs, artist biographies, detailed   in line with the overall underperforming market at global
            descriptions of each piece, and historical comparisons   auctions at Christie’s, Sotheby’s, and Phillips. This trend
            with world-famous artworks to enhance Liu and Wang’s   is evidenced by the 22.7% decline in the first half of 2023
            holdings and the collection’s provenance and uniqueness.  compared to the same period in 2022.  Nevertheless,
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              As previously noted, in 2015, Liu and Wang paid   Sotheby’s sales drew attention to Liu and Wang’s recent
            US$42.8 million for Modigliani’s painting Paulette Jourdain   acquisition of all 39 works that were brought to market as
            (1919); in October 2023, they sold the painting for only   they were purchased in the past 5 – 15 years, with many
            US$35 million, which was well below the collectors’   contemporary art pieces created in less than a decade.


            Volume 3 Issue 2 (2025)                         3                                doi: 10.36922/ac.2880
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