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Arts & Communication                                            Digital somatic arts: Choreographing autonomy



            a perceptive entity both subjective and objective. In this   These other conceptions of the body are those inspired
            context of experimentation and analysis, 63,64  aesthetics   mainly by the ancient philosophical contributions of Asia,
            can once again become an event concerning the body and   the Far East, Africa, Brazil, and Haiti. These conceptions,
            perception—etymologically speaking, knowledge—which   which introduce the value of the invisible, the transitional,
            is activated and renewed by the simultaneous interaction   the unstable, the  microscopic, and the phenomenon of
            of all the senses with one another and the development of   profound mind–body transformations, stand in opposition
            our ability to perceive.                           to Western thinking, characterized mainly by finality,

              The  relevance  of  Gardner’s  theory  lies  in  that it   fixity, the visible, the anthropomorphic limit of the body,
                                                                           60,69-71
            differentiates intelligence into specific modalities rather   and materiality.
            than  approaching  it  as dominated  by a  single  capacity.   These experiments, conducted in a controlled
            The resulting implication, particularly in research and   environment during  Awareness  Through  Movement
            research-creation, is that a learning modality might involve   lessons,  lead  to  transformations  in  the  lived  body—the
            sensoriality and movement, rather than just language and   sõma—resulting in the development of new sensorimotor
            logic. Indeed, the first reference or knowledge is acquired   perceptual abilities. This ontological shift of the body
                                                                                             72
            through sensation (e.g., in the case of dancers), which then   constitutes a form of decolonization,  which enables the
            interferes with theory, resulting in a different organization   development of self-confidence and fosters the emergence
            of knowledge. By modifying the body’s internal reference   of autonomy.
            points and their structures, we change our way of feeling
            and perceiving the world, that is, our way of thinking and   Acknowledgments
            organizing creation, the work, or, in the context of this   Thanks to Geoffreyjen Edwards for his great review work
            article, our learning experiments.                 and advice.
              This reappraisal of bodily intelligence in the experiential
            and analytical process also has an impact on writing and   Funding
            thinking. In this sense, it is suggested that the faculty of   None.
            understanding  through  sensation  and  perception,  and
            its  role  in  establishing  relationships,  can  contribute  to   Conflict of interest
            enriching, even renewing, the existing aesthetic and   The authors declare that they have no competing interests.
            cognitive paradigm. While aesthetics is often approached
            as a “contemplation of an image outside oneself,” 65(p15)    Author contributions
            in this study, it is suggested that we experiment with its   Conceptualization: Isabelle Choinière
            immersive character and approach aesthetic experience   Writing-original draft: All authors
            through the dynamic intervention that follows, namely the   Writing-review & editing: All authors
            body affected in its sensoriperceptivity, sensorimotricity,
            and the modification of its body schema (reorganization   Ethics approval and consent to participate
            of the senses, sensory mapping, and contemporary
            subjectivity). 66-68                               The  author Christine  Germain obtained verbal consent
                                                               from her students.
              A precise posture was chosen to develop this line of
            research: not to reject the knowledge that preceded it, but   Consent for publication
            rather to recognize its values and the founding role that
            this knowledge plays, while drawing on ontologies that   The participants in this case study have given their consent
            come to us from cultures other than the West to open   for publication.
            up other possibilities in terms of research and emerging   Availability of data
            realities. In the experiments reported in this article, a
            radical principle of embodiment was tested. It comes from   Data used in this work is available from the authors,
            a non-Western cultural perspective and also resonates   Isabelle Choinière (isabellechoiniere@gmail.com) and
            with  certain imperatives  of  research-creation, which  is   Christine Germain (movementexplorer@gmail.com) upon
            to understand and integrate approaches that consider   reasonable request.
            transformation with and through the body.  It  is in the
            integration and interconnection with other influences—  Further disclosure
            ontological conceptions of the body and embodiment   The author’s Isabelle Choinière biography can be
            from other cultures—that we carry out this reflection.   accessed through: https://fr.wikipedia.org/wiki/Isabelle_


            Volume 3 Issue 3 (2025)                         11                               doi: 10.36922/ac.4477
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