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Journal of Chinese
            Architecture and Urbanism                                                   Emotive architecture in China



                                                               store (Figure 6), a critical venture that could determine the
                                                               brand’s market perception. The store’s success hinged on
                                                               the strategic selection of the location and innovative design
                                                               to draw attention, convey the brand’s essence, and foster
                                                               customer loyalty.
            Figure 5. Chixi village in 2015, before the Xiaoxi Jia Project initiative.   Set in Sanlitun, known as the “First Store harvester” and
            Source: Photo by WEI Architects (2016)
                                                               a “trendsetter hub,” RouTing faced the distinct challenge of
                                                               ingratiating a domestic brand with a clientele accustomed
                                                               to international labels.
                                                                 Nama chocolate, symbolizing Japanese craftsmanship
                                                               excellence, transcends mere confectionery to embody
                                                               a lifestyle synonymous with quality and emotional
                                                               connections.  Its  elegant  packaging  and  ceremonial
            Figure 6. Existing pavilion in 2020, before the RouTing Project initiative.   consumption ritual evoke refined beauty and fulfillment,
            Source: Photos by WEI Architects (2020)            enhancing the sensory experience.
                                                                 Our vision for RouTing was to create an atmosphere
            and “enter” the cheng (城, city/city wall ). This approach   fostering intimacy and contentment, guiding customers
                                            9
            addressed the poverty in Chixi village by transforming its   toward profound sensory engagement. This approach
            abandoned historical residences into  minsu  (traditional   contrasted with the prevailing international ambiance,
            guesthouses), which would be managed by former     which focused on personal moments of pleasure, emotional
            villagers. This arrangement allowed visitors from urban   identity, and belonging.
            areas to stay in and immerse themselves in rural life,
            exploring local customs, nature, and ways of life through   The ambition of the RouTing project extended beyond
            cultural immersion. The revenue from minsus and tourism   architectural novelty and traditional retail spaces. It sought
            would  then  benefit  the  village  collective   and  the  rural   to create a lasting monument by connecting with urban
                                             10
            community.                                         dwellers’ emotions and aligning with the cultural vibe of
                                                               the area. In addition, the project encouraged customers to
              The Xiaoxi Jia project is a demonstration of this strategy.   share their genuine sentiments through social media.
            We selected one of the abandoned houses for renovation,
            and the entire process and outcome were publicized   This innovative positioning signals a shift in consumer
            through the media. This project not only showed the local   culture, demanding  new  business  models  and social
            community – initially  skeptical  of traditional residences   interaction spaces as part of urban renewal efforts,
            and the strategy’s potential – the viability of the project,   integrating both economic and emotional needs.
            but also provided publicity for local tourism. Like sowing   Whether it is providing an escape from the city for
            a seed, this project aimed to initiate development in the   tranquility in the Xiaoxi Jia project or offering fulfillment
            surrounding area, creating a ripple effect.        through intimate sensory experiences in the bustling
              Conversely, in the commercial heart of a major Chinese   RouTing project, both reflect the pursuit of emotional
            metropolis, the RouTing project aimed to establish the First   satisfaction amid modernization, echoing ancient Chinese
            Store for a local emerging nama chocolate brand. The task   philosophical  quest  for  inner  balance,  the  “Oneness  of
            was to transform a modest pavilion into the brand’s debut   Heaven and Humanity.”
                                                                 These two projects demonstrate how addressing
            9      The term cheng (城) in this context is reminiscent of
            the central metaphor in Qian Zhongshu’s 1947 novel Weicheng   emotional  needs at  the core of  local development can
            (围城, Fortress Besieged), one of China’s most significant literary   inspire  new architectural functions.  Simultaneously,
            works. The novel frequently uses the imagery of “entering”   new functional requirements and operating models can
            and “exiting” city walls to explore the paradoxical desires of   help projects overcome challenges and expand adaptive
            individuals who long for the perceived benefits of what they do   strategies in response to external environmental changes
            not have, symbolizing broader social and emotional struggles   and internal shifts in emotional and cultural values.
            (Qian, 2004).
            10     In China, rural areas typically operate under a system   An approach to architectural design that prioritizes
            of collective ownership, meaning that income generated from   emotional  resonance  moves  beyond  simply  applying
            such initiatives is allocated to the village collective rather than   architectural elements or materials to stimulate the senses
            individual villagers.                              or evoke feelings (Griffero, 2016). In Chinese culture, the


            Volume 6 Issue 4 (2024)                         9                        https://doi.org/10.36922/jcau.1606
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