Page 124 - JCAU-7-1
P. 124

Journal of Chinese
            Architecture and Urbanism                                                  Red industrial heritage in China



            offers two unique characteristics. First, it profoundly   the sum of its parts, amplifying the dissemination and
            influences and often defines local cultural landscapes,   impact of cultural values.
            embedding unique geographical information within
            these spaces. Second, it offers vast potential for renewal,   3.2.3. History-reality: Explaining the value of reality
            enabling the creation of new spiritual symbols built upon   In contemporary China, mainstream culture is a product
            traditional cultural ones. This spatial materiality provides   of the CPC’s historical practices in war, nation-building,
            opportunities for reinvention.                     and reform, embodying the distilled essence of its
                                                               governance experience. Many red industrial heritage sites
              This materialization not only offers audiences tangible
            and participatory experiences – through concrete artifacts   are closely linked to this mainstream culture, preserving
            or reconstructed historical scenes – but also lays the   the physical spaces necessary for its dissemination.
                                                               However, as economic structures shift and urban renewal
            groundwork for enriching the material aspects of cultural   progresses, these sites face challenges, such as the erosion
            symbols. By bridging abstract spiritual values of mainstream   of media memories and the gradual fading of historical
            culture with the embodied spirit of the present era, red   markers, particularly as their original productive functions
            industrial heritage aligns past ideals with contemporary   are lost. By leveraging the plasticity and participatory
            needs. For example, Daqing city in Heilongjiang province,   characteristics of red industrial heritage, reinterpreting
            China,  the  birthplace  of  the  “Iron  Man  Spirit,”  is  home   cultural symbols, and constructing new media memories
            to numerous red industrial heritage sites centered on   tied to “historical realities,” these heritage sites can ensure
            this theme. In recent years, however, Daqing has shifted   the continuation of the mainstream culture they embody
            its focus toward becoming an environmentally friendly   while establishing meaningful connections with other
            city,  prioritizing environmental  protection  in its  urban   specific cultural qualities (Zhang & Lu, 2024).
            development. Through the implementation of the “green
            water and green mountains” strategy and the promotion of   In this context, the concept of “historical  reality”
            the concept of “dual restoration,” the city has reinterpreted the   emerges as a crucial communication mechanism, reflecting
            once-dominant “Iron Man Spirit” to suit modern values. This   the reinterpretation of mainstream cultural values within a
            transformation involved converting red-themed buildings,   modern framework. An example is the NICE2035 Future
            structures, and equipment into public parks, sculptures,   Neighborhood project in Anshan Xincun, located on
            and commercial districts. The result is a new urban culture   Chifeng Road in Shanghai’s Yangpu district. This area,
            that integrates the “Iron Man Spirit” with environmental   an important industrial heritage site, contains numerous
            sustainability goals of “green water and green mountains”   residential buildings from the 1950s that were once part
            (Figure 1). This reimagining aligns the “Iron Man Spirit” with   of the Shanghai Tool Factory. These buildings, which also
            the vision of building a “People’s City,” giving it a renewed   housed workers from the Watch Factory and the Water
            and specific meaning for the contemporary era.     Treatment Plant, were once considered “model staff
                                                               dormitories.” It was famously said, “If one person lives in
              The  mechanism  of  transmitting  mainstream  culture   the new village, the entire factory is honored” (Zhou, 1958,
            through red industrial heritage not only reflects its material   p. 137-138). Hundreds of national and provincial model
            attributes but also vividly interprets the practicality of   workers resided in this area, making it a key red industrial
            mainstream culture rooted in the CPC. This mechanism   heritage community. However, over time, most factories
            creates a synergistic effect, where the whole is greater than   have been reorganized or ceased operations, and the old
                                                               labor patterns have faded, causing the “new village” to
                                                               gradually lose its former prestige.
                                                                 In recent years, faculty and students from Tongji
                                                               University have revitalized the community through
                                                               participatory initiatives, transforming the old industrial
                                                               heritage area into the NICE2035 Future Communities
                                                               (Figure 2). This effort has blended red industrial heritage
                                                               with modern community development to create a
                                                               “fashionable community,” themed around “City Creators
                                                               and New Communities” (Ma & Lou, 2022). By framing the
                                                               project in terms of “urban makers and new craftsmen”—
            Figure 1. Site of Iron Man Well No. 1 in Daqing Oilfield. Source: Photo by   concepts that resonate with younger generations—the
            Daqing Culture and Tourism Bureau (2024)           initiative continues to uphold the “spirit of labor” and the


            Volume 7 Issue 1 (2025)                         7                        https://doi.org/10.36922/jcau.4611
   119   120   121   122   123   124   125   126   127   128   129