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Journal of Chinese
            Architecture and Urbanism                                                  Red industrial heritage in China



            transformed heritage sites has primarily been repurposed   insufficient, and their utilization superficial (Chen & Wang,
            through urban renewal, the integration of culture and   2021). In contrast, red industrial heritage has garnered
            tourism, or cultural reengineering. These transformations   attention for its malleability, particularly its participatory
            are typically aimed at creating a museum or cultural   and interactive nature, which makes it more accessible and
            creative district, a model that has become central to the   engaging to the public.
            preservation and reuse of industrial heritage in China.
                                                                 Adapting to the contemporary contexts is a key to
              However, in the dissemination of mainstream culture,   the successful preservation and renewal of red industrial
            red industrial heritage – as a unique medium – follows two   heritage. Presenting these heritage sites in engaging,
            primary  pathways. The  first pathway involves  advancing   culturally resonant ways can subtly disseminate
            the protection and revitalization of industrial heritage by   mainstream cultural values, creating a path of “mainstream
            combining mainstream culture with the mass line, which   culture + popular culture.” Popular culture transcends
            focuses on public engagement and participation. The second   the boundaries between itself and mainstream culture,
            pathway enhances the value of red industrial heritage as   fostering a dynamic exchange and integration of diverse
            intellectual property (IP) by merging mainstream culture   cultural elements that enrich the daily lives of the masses
            with innovative approaches to red culture. This dual   (Liu, 2021). Through diverse forms of dissemination, mass
            approach not only preserves the historical significance of   culture can address the limitations of dry content and one-
            these sites but also revitalizes them within contemporary   dimensional formats often seen in mainstream cultural
            cultural narratives.                               communication. By blending theoretical indoctrination,
                                                               moral education, and emotional engagement, mass culture
            5.1. Protection and renewal of red industrial      effectively conveys  the ideological core  of mainstream
            heritage through “Double M” (mainstream culture +
            popular culture)                                   culture (Peng, 2012). Consequently, there is a need to
                                                               strengthen research into industrial culture pathways to
            Unlike revolutionary cultural relics, much of red   support industry development. This includes encouraging
            industrial heritage is represented by historical buildings or   industry associations and other organizations to host
            structures, some of which remain operational and many   specialized events aimed at integrating industrial culture
            of which maintain strong community connections. These   with development strategies.  Leveraging  innovative
            sites often belong to former large state-owned enterprises   models and formats, such as “culture +  product”
            and form extensive heritage clusters deeply integrated   initiatives, industries can better harness cultural elements
            into the daily lives of residents. Given the community-  to enhance branding, improve quality, increase efficiency,
            oriented nature of red industrial heritage, it is crucial   and ultimately boost the competitiveness of industries,
            to establish communication pathways aligned with   enterprises, and products. A  prominent example is the
            contemporary popular culture to ensure their protection   Shenzhen Overseas Chinese Town (OCT) Creative
            and revitalization.                                Industry Park, originally the Eastern Industrial Park
              As noted by Yang (2020), only when culture is embraced   established during Deng Xiaoping’s era. Once home to
            by the public can it evolve into a practical force for societal   over 60 factories and recognized as the “first industrial
            progress. Mass communication that resonates with the   park in the Special Administrative Region” and a “living
            needs  of  the  time  is  essential  for  mainstream  culture  to   fossil” of Shenzhen’s development, it was transformed by
            remain relevant. However, the dissemination of mainstream   the Shenzhen Municipal Government in partnership with
            culture often exhibits tendencies toward simplification and   the state-owned OCT Group. It became the OCT Cultural
            one-sidedness, with a top-down indoctrination approach   and  Creative  Park,  focusing  on  cultural  and  creative
            of “setting an example → promoting typical examples   industries to meet the evolving economic, spiritual, and
            → public acceptance.” This model overlooks individual   cultural needs of the population. According to incomplete
            active choices and cultural experiences, making it difficult   statistics, the park attracted 148 million visitors by 2023
            to achieve the expected dissemination effect (Wei & Du,   (OCT, 2024), becoming a viral social media destination
            2015).                                             and a favored “micro-vacation” spot for nearby residents,

              Cultural heritage, as an important carrier for   as well as a vital space for promoting the spirit of reform
            disseminating mainstream culture, has received widespread   and opening up.
            attention. In the field of cultural heritage, revolutionary   Moreover, popular culture must leverage both self-
            cultural relics have served as the primary material medium   media and mass media to enhance its public presence.
            for promoting mainstream culture. However, their   In the era of the digital economy, industrial heritage
            protection is often inadequate, their historical excavation   is no longer merely a site for nostalgia but an appealing


            Volume 7 Issue 1 (2025)                         11                       https://doi.org/10.36922/jcau.4611
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