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Arts & Communication                                                 Contemporary art from the Global South




            Table 1. (Continued)
            Artist  Nationality Sale date  Auction   Sale name  Location  Artwork   Mid‑estimate  Sale result  Growth
                                         house                    title                              magnitude
            Salman   Pakistan  December 15,   Philipps  New Now   London  A   £50,000.00  £378,000.00   7.5
            Toor             2020                Auction          Flourishing
                                                                  City Near
                                                                  the Yellow
                                                                  River Source
                             September 28,   Philipps  New Now   New York  Purple   $85,000.00  $302,400.00  NA
                             2021                Auction          Air S
                             May 24, 2021  Christie’s  20  and 21   Hong Kong Adversité   HKD 1,000,000.00 HKD 4,375,000.00  NA
                                                        st
                                                   th
                                                 Century          Généreuse
                                                 Art Evening
                                                 Sale
                             May 11, 2021  Christie’s  21  Century  New York  Abstraction  $125,000.00  $475,000.00  NA
                                                   st
                                                 Evening
                                                 Sale
                                                   st
                             May 10, 2022  Christie’s  21  Century  New York  Orchid   $175,000.00  $882,000.00  5.0
                                                 Evening          (Vanda)
                                                 Sale
            Interestingly, Adams participated in an artist residence   Salman  Toor,  the  only  artist  from  South  Asia  on  the
            program at the Zeitz MOCAA in Cape Town.           list,  explores  the  complexities  of  identity,  sexuality,  and

              Born in 1988 in South Ibadan, Nigeria, Omofemi’s   immigrant life in his artwork. He moved to the US in
            artistic  talent  was  recognized  at  a  young  age  by  his   2009 to pursue a Master of Fine Art (MFA) from the Pratt
            community. From the age of eight, he washed cars, scrubbed   Institute and has since exhibited his work in prestigious
            plates, hawked beer, and toiled in a restaurant . Despite his   institutions and galleries worldwide. Toor’s figurative
                                                22
            humble beginnings, he used the money he earned to buy   paintings often depict the everyday lives of fictional young,
            art supplies for painting portraits. He aimed to capture the   brown, queer men in contemporary cosmopolitan culture.
            transcendent nature of women with different occupations   Toor has a unique approach in examining vulnerability
            and backgrounds in his artwork, using it to promote African   within contemporary public and private life and the
            fashion and feminine charm, showcase underprivileged   notion of community in the context of queer diasporic
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            people, and help rediscover Afrocentric pride. Omofemi’s   identity .  Some  have  argued  that  he  intends to paint  a
            success story began when he won representation from   world in which Western and Eastern figures would live
            Alexis Gallery in Lagos 10 years ago, which has enabled   in harmony together. Toor’s success can be attributed to
            him to become a key figure on the Nigerian art scene.   various factors, including his decision to reorient his work
            In 2020 and 2021, Omofemi had successful shows at the   toward the personal, his representation by prominent
            Signature African Art Gallery in London and Out of Africa   galleries, his participation in international art fairs, and his
            Gallery. These exhibitions showcased his exceptional   groundbreaking museum solo exhibition at the Whitney
            talent and marked his growing influence in the global art   Museum of Art in 2020. In 2013, he began to be represented
            market . The peak of this artist’s career was reached when   by Aicon Gallery, which showcased his work at various
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            he received a commission to create a portrait of Queen   international art fairs, providing him with exposure and
            Elizabeth II for the cover of Tatler’s Platinum Jubilee issue   visibility in the global art market. In addition, the Luhring
            in 2021. This was a significant milestone for Omofemi,   Augustine Gallery organized a solo exhibition for the artist
            cementing his reputation as a talented and successful artist.   in New York and showcased his work at Art Basel Miami
            Omofemi’s artwork consistently outpaced expectations on   in 2020. That same year, Toor had his first museum solo
            the secondary market in the past 2  years. In December   exhibition, “How Will I Know,” at the Whitney Museum
            2021, his artwork  Imaginary Morning Eclipse, estimated   of Art, marking a significant milestone in his career. The
            at £7,000, was sold for £100,800 at Phillips London   impressive prices Toor’s works have achieved at various
            (for  approximately  fourteen  times  the estimated  price).   auctions further demonstrate his success. The sale of his
            This remarkable achievement for Omofemi stands as a   painting A Flourishing City Near the Yellow River Source
            testament to his talent and growing influence in the global   for £3,780,000 (approximately seven times the estimated
            art market.                                        price) at Philipps London in 2020, and his painting


            Volume 2 Issue 1 (2024)                         7                         https://doi.org/10.36922/ac.1608
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