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Arts & Communication                                         A perspective on art-based and academic research



















































            Figure 2. Author’s experience of academic research at the UiO-Centre for Ibsen Studies. The academic research delves into the life and works of Henrik
            Ibsen and is analyzed by employing diverse theories and methods tailored to the researchers’ claims and research questions.


            discrimination and racism. The following is a story of the   be an exploitation of other cultures and a continuation
            importance of artists staying updated on the ever-evolving   of  colonialism. 31(14)   Stealing  from  other  cultures  can
            academic and political debates and discourses.     be referred to as cultural appropriation. By borrowing
              When I started my acting life in the 1980s, Peter Brook   (“stealing”) elements from a marginalized or oppressed
            was a ground-breaking director. Actors all over the world   culture, artists can reinforce systems of oppression. Peter
            embraced the opening lines in his book The Empty Space:   Brook’s post-colonialistic approach to one of India’s largest
            “I can take any empty space and call it a bare stage.” 30(p11)    poems reflects both Brook and the time it was produced.
            We kept on nodding with awe when Peter Brook’s     This parallel is relevant when studying academic research,
            Mahabharata, a 9-h dramatization of India’s most sacred   as highlighted by the assertion that “how anyone thinks
            poem, premiered in France in 1995. The play toured the   determines how you read, write, speak, and research.” 33(p120)
            world for 4 years, and the Sunday Times called it “one of   The lens through which we perceive our material is vital
            the theatrical events of the century.” 31(p69)  However, amidst   and decisive for shaping conclusions. In other words,
            the acclaim, Indian director and critic Rustom Bharucha   both artists and researchers are part of complex layers of
            stated that Peter Brook’s Mahabharata exemplifies “one   context, which is one of the major reasons for building
            of  the  most  blatant (and accomplished) appropriations   a stronger connection between the work of the theater
            of culture in recent years.” 32(p1642)  Bharucha mentioned   artists and the ongoing academic discussion. Critical
            that stealing and borrowing from other cultures can   thinking is fundamental in all kinds of research. While


            Volume 2 Issue 2 (2024)                         6                                doi: 10.36922/ac.1807
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