Page 25 - AC-2-2
P. 25

Arts & Communication                                         A perspective on art-based and academic research



              Academic researchers using digital tools and methods   You cannot take the researcher out of the research or the
            can create wordless images and performative models to be   actor out of the acting, as philosopher Maurice Merleau-
            interpreted. The art-based researchers, in turn, can utilize   Ponty suggests. However, by employing relevant tools and
            digital tools to contextualize and articulate the influences and   theories, the curiosity of the practitioner-researcher can
            traditions underlying their art. When digital scholarships   transcend the narcissist in the actor. By unwrapping and
            can be seen as live and performative, the differences between   combining the two fields of research, new insights can be
            academic and art-based research can be wiped out.  gained, shared, and developed.
              Tom Sheinfeldt, director of the Center for History and New   Acknowledgments
            Media at George Mason, argues that scholars are increasingly
            turning toward digital modes of research in which scholarship is   None.
            “as much an event as a product or project.” 37(p349)  This is another
            argument proving that digital humanities are more such as art or   Funding
            art-based research. Sarah Bay-Cheng underlines this perspective   None.
            by arguing that digital humanities are becoming increasingly
            performative.  In other words, the fusion of performance   Conflict of interest
                      38
            elements with academic research through the digital humanities   The author declares no conflict of interest.
            allows both fields to develop, mingle, and enrich each other. By
            acknowledging the performative elements in digital humanities,   Author contributions
            more of the differences between art-based studies and academic
            studies are wiped out. The examples above illustrate how the two   This is a single-authored article.
            fields of research are more united than divided. It could also be   Ethics approval and consent to participate
            an interesting forewarning of how the two fields of research are
            starting to merge into one future field.           Not applicable.

            10. Conclusion                                     Consent for publication
            Art-based and academic researchers are both on the   Not applicable.
            frontlines,  both  embedded  and situated within  specific   Availability of data
            contexts. However, perhaps the lack of cooperation lies in
            the brutal saying that actors are never better than their next   Not applicable.
            part. The time to reflect is limited when your work is to
            keep on working. This underlines the validity of developing   Further disclosure
            Ph.D.  programs  within  both  art  based  and  academic   Agnete G. Haaland is an actress, artistic director, and guest
            research. It would reveal new insights if researchers from   researcher at the Centre for Ibsen Studies, University of
            both fields would cooperate more since research is sharing,   Oslo, Oslo, Norway.
            disagreeing, and keeping the exchange and dialog running.
              The main challenge in sharing findings lies in the form of   References
            communication. In an academic paper, you can read the claims,   1.   Veselá L. Artistic research as academic borderlands. J Artistic
            arguments, and conclusions, whereas, in art-based research, there   Res. 2021.
            are no standard methods. 28(133)  Since the main conclusion could      doi: 10.22501/jarnet.0043
            be anything from an art piece to a live performance, the thinking
            and reflection are not visible in print. However, this does not   2.   Nelson R.  Practice as Research in the Arts  (and Beyond).
                                                                  2  ed. London: Palgrave Macmillan; 2022.
                                                                   nd
            diminish the value of the research; rather, it represents a different
            mode of storytelling. Both thinking in print and thinking in and   3.   Booth WC, Colomb GG, Bizup J, Williams JM, Fitzgerald
            through art are research methods that may enrich each other,   WT. The Craft of Research. Chicago: University of Chicago
            leading to new insights for researchers and their peers. Hopefully,   Press; 2016.
            this collaboration may result in performances and concepts that   4.   Haaland AG. My Nora in Wu Xiaojiang’s A Doll’s house
            illuminate both the world and the theater.            (1998): Aesthetic transmission and political context. Ibsen
                                                                  Stud. 2022b;22(2):138-170.
              I argue that the two fields have more in common than
            what separates them. Researchers in both fields need to      doi: 10.1080/15021866.2022.2125213
            elucidate their methods and processes, engage in critical   5.   Bergdorff H. The production of knowledge in artistic research.
            thinking, and contextualize their work in a dynamic dialog.  In: Biggs M, Karlsson H, editors. The Routledge Companion to


            Volume 2 Issue 2 (2024)                         8                                doi: 10.36922/ac.1807
   20   21   22   23   24   25   26   27   28   29   30