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Arts & Communication                                      Using multiple languages within an improvised fairytale



            story, such as misunderstanding, fearfulness, and exclusion,   agreement with the publication of this material, and their
            the creative end of “The Boy Who Learned to Laugh in   pictures, artwork, fairytales, poetry, and comments should
            All Languages” has a sense of personal connection and   be used. No human subjects were harmed in this review.
            hope. This development is related to the experiences and
            communications of this group in this situation. However,   Availability of data
            other expressions that reflect a range of experiences are   This material was available  in recorded video of all  the
            possible, especially in groups of people who have been   sessions.  Data used in  this work are available  from the
            through the distress of a large-scale crisis. Themes of loss   corresponding author upon reasonable request.
            and grief, anger and conflict, alienation and exclusion, and
            fear might be expressed by different groups at different   References
            times and communicated in any creatively developed story.   1.   Zhou T. Forward. Creat Arts Educ Ther. 2020;6(1):1-2.
            Future  projects  could  address  this  potential  diversity  by
            including a comparison of the themes that emerge from      doi: 10.15212/CAET/2020/6/21
            a variety of arts-based expressions alongside descriptions   2.   McNiff S. “Tears on the flowers” worldwide natural
            of the makeup of the group and the emotional context of   experiments of art healing.  Creat Arts Educ Ther.
            their situation.                                      2020;6(1):6-12.
            Acknowledgments                                       doi: 10.15212/CAET/2023/9/1
                                                               3.   Hu J. Contemplating the 3P theory to set grounds for criteria
            None.                                                 for the understanding of arts-based research.  Creat Arts
                                                                  Educ Ther. 2023;9(1):33-44.
            Funding
                                                                  doi: 10.15212/CAET/2023/9/6
            None.
                                                               4.   Harvey S, Wang S, Kelly EC, et al. Creative dialogues across
            Conflict of interest                                  countries and culture during COVID-19. Creat Arts Educ
                                                                  Ther. 2020;6(1):72-84.
            The authors declare that they have no competing interests.
                                                                  doi: 10.15212/CAET/2020/6/13
            Author contributions                               5.   Harvey SA, Wang S. Creative arts online: An exploration
                                                                  of the quality of relationship when physical presence is not
            Conceptualization: Steve Harvey                       possible. DTAA J Mov On. 2022;18(1-2):3-21.
            Formal analysis: Steve Harvey, Si Wang
            Investigation: All authors                         6.   Harvey SA, Wang S, Kelly EC. A  review of the creative
            Methodology: Steve Harvey, Connor Kelly               dialogues  project:  Using  creative  arts  online  during  the
            Writing – original draft: Steve Harvey                COVID-19 pandemic. Creat Arts Educ Ther. 2023;9:120-142.
            Writing – review & editing: All authors               doi: 10.15212/CAET/2023/9/13
                                                               7.   Harvey SA, Wang S, Kelly EC. Investigating the three stops
            Ethics approval and consent to participate            and three solo scores: Physical storytelling during in-person
            No ethical approval was obtained for this study as the   and online settings. DTAA J Mov On. 2022;18(1-2):56-71.
            authors  no longer  are in an  institution  and  no longer   8.   Harvey SA, Kelly EC. Arts based enquiry: Integrating
            have access to an ethics committee. The participants   narrative within movement. DTAA J Mov On. 2016;13(3/4):2-
            gave their permission before their participation with the   9.
            understanding that they could withdraw their permission   9.   Harvey  SA, Kelly  EC.  Physical  Storytelling:  Applications
            at any time. This applies to all the materials used in the   in Therapy and Supervision. In: Proceedings of the Twenty-
            article.  This  declaration  statement  is  stated  within  the   Seventh Annual Conference of the American Dance Therapy
            article.                                              Association. Columbia, Maryland: American Dance Therapy
                                                                  Association; 1992.
            Consent for publication
                                                               10.  Harvey SA, Kelly EC. Physical Storytelling: Witnessing and
            Participants also gave their permission for any use of   Performance in Supervision and Therapy. In: Proceedings of
            their participation in public presentation and use in   the Twenty-Eighth Annual Conference of the American Dance
            future publication with the understanding that they could   Therapy Association. Columbia, Maryland: American Dance
            withdraw their permission at any time. This applies to all   Therapy Association; 1993.
            the materials used in the article. This declaration statement   11.  Harvey SA, Ndengeya R, Kelly EC. Using physical
            is stated within the article. Each participant has stated their   storytelling to investigate youth suicide in New Zealand.


            Volume 2 Issue 2 (2024)                         13                               doi: 10.36922/ac.2079
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