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Arts & Communication                                                      Islamic manuscript conservation



            aspects involved  in  the production  and  conservation   Availability of data
            of Islamic manuscripts. The initiative aims to catalyze
            a  transformative  movement,  emphasizing  the  essential   Not applicable.
            discontinuation  of invasive  repairs on  textblocks  and   References
            conventional bookbinding practices still employed in
            binding repairs. This is necessary to safeguard the rich   1.   Scheper K. The Technique of Islamic Bookbinding: Methods,
            historical and cultural legacy encapsulated in these objects.  Materials  and  Regional  Varieties. Leiden: Brill; 2015.
                                                                  p. 12-24.
            3. Conclusion                                      2.   Hollenberg D, Rauch C, Schmidtke S. The Yemeni Manuscript
            This paper advocates for a substantial paradigm shift in   Tradition. Islamic Manuscripts and Books. Leiden: Brill;
                                                                  2015. p. 1-11.
            the conservation practices of ancient Islamic manuscripts.
            It critiques the prevalent reliance on expedient reparative   3.   Brigaglia A, Nobili M, editors.  The  Arts  and Crafts  of
            measures, which may threaten the intrinsic historical   Literacy: Islamic Manuscript Cultures in Sub-Saharan Africa.
            evidence of these manuscripts, and calls for a collective   Studies in Manuscript Cultures. Vol. 12. Berlin: De Gruyter;
            commitment to prioritize meticulous documentation     2017. p. 1-10.
            over hasty, mass interventions. The proposed preservation   4.   Knipe P, Eremin K, Walton M, Babini A, Rayner G. Materials
            strategy transcends mere suggestion; it urges a systematic   and techniques of Islamic manuscripts. Herit Sci. 2018;6:55.
            investigation to discern degradation patterns and      doi: 10.1186/s40494-018-0217-y
            rigorously protect the manuscripts’ authentic qualities.   5.   Bongianino U. The Manuscript Tradition of the Islamic West:
            This approach extends beyond nuanced considerations;   Maghribi Round Scripts and the Andalusi Identity. Edinburgh
            it necessitates an unswerving dedication to a preservation   Studies in Islamic Art.  Edinburgh: Edinburgh University
            strategy deeply anchored in both historical understanding   Press; 2022. p. 39, 40, 109-171, 141.
            of Islamic manuscript production and scientific principles.
                                                               6.   Melo MJ, Nabais P, Vieira M, et al. Between past and future:
              This strategy should not be construed as a mere     Advanced studies of ancient colours to safeguard cultural
            recommendation but as an unequivocal mandate.         heritage  and  new sustainable applications.  Dyes Pigm.
            Establishing specialized training programs is crucial   2022;208:110815.
            for  developing  experts  who  are  not  only  proficient  but      doi: 10.1016/j.dyepig.2022.110815
            also genuinely masterful  in  navigating the intricate   7.   Vieira M, Nabais P, Angelina EM, et al. Organic red colorants
            complexities of Islamic manuscript conservation. Their   in Islamic manuscripts (12 -15  c.) produced in al-Andalus,
                                                                                     th
                                                                                         th
            mission is to serve as unwavering custodians of the rich   Part 1. Dyes Pigm. 2019;166:451-459.
            historical  and cultural  legacy encapsulated within these
            manuscripts.                                          doi: 10.1016/j.dyepig.2019.03.061
                                                               8.   Porter C. The use of metals in Islamic manuscripts. In: The
            Acknowledgments                                       Making of Islamic Art. Edinburgh: Edinburgh University
            None.                                                 Press; 2021. p. 260-279.
                                                                  doi: 10.1515/9781474434300-018
            Funding
                                                               9.   Gruber C. The Islamic Manuscript Tradition: Ten Centuries
            None.                                                 of Book Arts in Indiana University Collections. Bloomington:
                                                                  Indiana University Press; 2010. p. 43-53.
            Conflict of interest                               10.  Nemeth T, Osborn JR, Schwartz KA, et al. In: Reese S, editor.
            The author declares that she has no competing interests.  Manuscript and Print in the Islamic Tradition.  Studies in
                                                                  Manuscript Cultures. Vol. 26. Berlin: De Gruyter; 2022. p. 6,
            Author contributions                                  7, 36.
            This is a single-authored article.                    doi: 10.1515/9783110776485
                                                               11.  Araújo R, Nabais P, Pombo Cardoso I, Casanova C,
            Ethics approval and consent to participate            Lemos A, Melo MJ. Silver paints in medieval manuscripts:
            Not applicable.                                       A first molecular survey into their degradation. Herit Sci.
                                                                  2018;6(1):8.
            Consent for publication                               doi: 10.1186/s40494-018-0172-7
            Not applicable.                                    12.  Araújo R. Examining the books of hours in Portuguese


            Volume 2 Issue 3 (2024)                         4                                doi: 10.36922/ac.3205
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