Page 24 - AC-2-4
P. 24
Arts & Communication Female Body at 8 Biennial Sea Salon
th
flow of citizens enjoying the view. Landscape and body References
are mutually transformed, linking body and oar in an 1. Cirillo J, Gomes D. O Mar Como Testemunha: Relações
exploration of the unknown, as the artist continuously Entre Arte Pública e Fluxos Urbanos em Vitória/ES.
performs in new waters. In: VII Seminario Internacional Sobre Arte Público en
While not explicitly highlighted in Oriana Duarte’s Latinoamérica - Constelaciones del Arte Público: Contextos,
st
discourse on the artwork or in the intervention itself, Paisajes, Saberes. Book Proceedings. 1 ed. Buenos Aires:
her identity as a female artist remains present. Her body, Universidade Federal de San Martín; 2021. Available from:
https://geaplatinoamerica.org/publicaciones [Last accessed
wielded autonomously as an instrument, assumes a on 2024 Jan 30].
prominent role in the public sphere, guiding the audience‘s
gaze toward an exploration of the creation of new modes 2. O’Doherty B. No Interior do Cubo Branco. A Ideologia do
of subjectivity. Espaço da Arte. São Paulo: Martins Fontes; 2002.
3. Samora L. Prefeitura Municipal de Vitória. Mar, Cidade e Arte
Acknowledgments em Destaque no 8º Salão Bienal do Mar. Vitória: Prefeitura de
Vitória; 2008.
None.
4. De Araujo O. Plus Ultra: O Corpo no Limite da Comunicação
Funding [PhD Thesis, The Pontifical Catholic University of São
Paulo]. PUC Digital Thesis database; 2012. p. 352.
This research was supported by a grant from FAPES under
the PROFIX program (grant no: Edital FAPES Nº 15/2022). 5. Cirillo J, Gomes D. O Mar Como Testemunha: Relações
Entre Arte Pública e Fluxos Urbanos em Vitória/ES. San
Conflict of interest Martín: Universidade Federal de San Martín, GEAP; 2021.
Available from: https://geaplatinoamerica.org/wp-content/
The authors declare that they have no competing interests. uploads/2022/02/geap_vii-seminario-internacional-sobre-
arte-público_final.pdf [Last accessed 2024 Feb 24].
Author contributions 6. Margotto S, Rufinoni P, editors. 8 Salão Bienal do Mar:
Conceptualization: José Cirillo Ondas, Pontes e Intervenções Navegáveis: 20 de Dezembro de
Writing – original draft: All authors 2008 a 5 de Fevereiro de 2009. Vitória: Secretaria Municipal
Writing – review & editing: All authors de Cultura, Casa Porto das Artes Plásticas; 2009.
7. Guattari F. Caosmose: Um Novo Paradigma Estético. Rio de
Ethics approval and consent to participate Janeiro: Editora 34; 1992.
Not applicable. 8. Verdi M, FinklerM, Souza Matias MC. The ethical-
aesthetic-political dimension of the Humanization of the
Consent for publication SUS: An evaluative study of the training of supporters
in Santa Catarina (2012-2014). Epidemiol Serv Saúde.
The authors hereby affirm that there are no copyright 2014;24(3):363-372.
conflicts pertaining to the figures presented in the
manuscript. Oriana Duarte, the rightful copyright 9. Bambach C. Vasari on Michelangelo’s “Gelosie delle figure”
and the destruction of his drawings. In: Annali Aretini XX.
owner of the images, grants explicit authorization for Arezzo: Edizioni Fraternita dei Laci; 2012. p. 131-147.
the reproduction of the artworks mentioned in this
article titled “Plus Ultra: Female Body in Public Sphere 10. Jones A. Survey: Body, splits. In: Warr T, editor. The Artist’s
at the 8 Biennial Sea Salon.” Written permission from Body. London: Phaidon; 2000.
th
the copyright owner has been obtained for reusing these 11. Meecham P, Sheldon J. Modern Art: A Critical Introduction.
nd
images in the current paper. 2 ed. Nova Iorque: Routledge; 2005.
12. Courtine JJ. Introdução. In: Corbin A, Courtine JJ, Vigarello, G,
Availability of data editors. História do Corpo: As Mutações do Olhar. O Século XX.
th
Not applicable. 4 ed. Petrópolis: Vozes; 2011.
13. Vicente F. A Arte Sem História: Mulheres e Cultura Artística
Further disclosure (Séculos XVI-XX). Lisboa: Athena; 2012.
Part of the text has been presented at the “Geopolíticas 14. De Araujo O. Plus Ultra: O Corpo no Limite da Comunicação
Institucionais” conference on May 25, 2023, at the Federal [PhD Thesis, The Pontifical Catholic University of São
University of Espírito Santo, and at “Todas as Artes Todos Paulo]. PUC Digital Thesis Database; 2012. p. 258.
os Nomes” on July 22, 2023, at Porto University, Portugal. 15. De Araujo O. Plus Ultra: O Corpo no Limite da Comunicação
Volume 2 Issue 4 (2024) 7 doi: 10.36922/ac.3023

