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Arts & Communication                                             Blockchain and royalties in China’s art market



            2012 was a significant step toward aligning with global   In doing so, the paper provides a comprehensive
            practices by proposing the concept of droit de suite within   analysis, integrating theoretical frameworks with practical
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            its legal framework.  This provision was intended to ensure   insights, to delineate a path forward for China’s art sector.
            that artists or their heirs could share the benefits from   It argues for the need for nuanced policy reform and
            the resale of original manuscripts or artworks, reflecting   market adaptation to fully harness the capabilities of
            a growing acknowledgment of the changing paradigms of   blockchain technology, thereby advocating for a more just
            art commerce. 5                                    and balanced economic model for artists within the global
                                                               art ecosystem.
              The  advent  of  blockchain technology  presents  an
            innovative solution to the long-standing issues of   2. Resale royalties: Background and global
            asymmetry and lack of transparency in art transactions.   practices
            Blockchain’s immutable ledger offers a transparent, secure,
            and verifiable system for tracking the provenance and   This section delves into the intricate tapestry of the art
            ownership of artworks, potentially revolutionizing the   world’s resale royalty landscape, tracing its evolution from
            enforcement of resale royalties.  The technology’s promise   early conceptualizations to its current global practices.
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            is particularly evident in the realm of digital art and non-  This journey through the annals of art history and legal
            fungible tokens (NFTs), where platforms, such as OpenSea   frameworks not only illuminates the origins and growth
            and Rarible empower artists to embed resale royalty terms   of the artist’s resale right (ARR), known as droit de suite
            directly into their digital works, automating the royalty   but also reveals the varying degrees of its adoption and
            distribution process and ensuring a continuous revenue   impact across different jurisdictions. This section explores
            stream from future sales. 7                        the underlying motivations for the establishment of these
                                                               rights, focusing on the central role they play in balancing
              Blockchain technology transcends mere authentication   the economic scales for visual artists. It navigates through
            of artwork, heralding a new era of equitable economic   the different approaches and adaptations of  droit de
            distribution. By embedding resale royalty terms    suite in key regions such as the US, the European Union
            directly into digital artworks through NFTs, artists gain   (EU), Australia, and China, providing a comprehensive
            unprecedented control over their creations, ensuring they   understanding of how these systems operate in different
            receive a fair share of proceeds from future sales. The rise   cultural  and  legal  contexts.  This  exploration  is  critical
            of NFTs has ushered in a new era of discussions centered   to appreciating the complex interplay between artistic
            on digital ownership and the financial rights of artists,   creation, market forces, and legal protections that shape
            illuminating how these blockchain-enabled assets bestow   the contemporary art market.
            unprecedented control and monetization opportunities
            upon creators within the digital domain. 8         2.1. Introduction to resale royalties and early
                                                               developments
              This paper seeks to elucidate the transformative potential
            of blockchain technology in enforcing resale royalties   The notion of the artist’s resale royalty, widely recognized
            within the art market. It examines the global landscape   as  droit de suite, is a pivotal measure for safeguarding
            of droit de suite, the legal and economic implications for   the financial interests of visual artists in the art market’s
            artists, and the pivotal role blockchain technology can   secondary sales. This concept, deeply rooted in France’s
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            play  in  enhancing  transparency and  fairness in  the  art   early 20 -century art scene, emerged from the stark
            market. The analysis pivots to the unique dynamics within   disparities observed between the impoverished conditions
            China, where the interplay between stringent regulation   of artists and the subsequent escalation in the value of
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            and a thriving digital innovation landscape sets the stage   their artworks.  This situation starkly contrasted with
            for a nuanced exploration of blockchain in art commerce.   that of novelists or musicians, who typically enjoy ongoing
            China’s way of preserving traditional culture while   financial benefits when their works are resold or reused. 11
            embracing new technology provides an interesting case   The French implementation of  droit de suite in 1920
            study. Projects like the “Digital Dunhuang Open Material   was largely influenced by the glaring economic inequalities
            Repository” show how blockchain can connect heritage   faced by artists, epitomized by the experiences of Jean-
            with new digital platforms, protecting culture items and   François Millet, a pivotal figure in the realism and Barbizon
            ensuring their prosperity in the digital age. Despite the   art movements. Millet’s works often portrayed peasant
            intricate challenges posed, these very hurdles also unveil   farmers, and his painting L’Angelus, depicting two peasants
            vast potential for groundbreaking innovations in art   in prayer, originally sold for a mere 1000 francs in 1860.
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            commerce, offering a fertile ground for digital pioneering. 9  However, by the end of the 19   century, the value of
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            Volume 3 Issue 1 (2025)                         2                                doi: 10.36922/ac.2875
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