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Arts & Communication                                             Urban expressions festival: The resignification



            process of interaction of people with the environment,    Ethics approval and consent to participate
                                                         12
            since it is in turn a generator of identity and a social
            space cathartic. However, this territorial appropriation at   The artists, in writing and verbally, have given their consent
            the same time can play a role in breaking down borders,   to participate in the interview.
            as is the case in the city of Tijuana, in the Mexican state   Consent for publication
            of Baja California, where the artist Enrique Chiu painted
            an 18,000-m mural lake in 2018, squares with countless   The artists have given their consent to incorporate their
            helpers, migrants from both Mexico and Central and South   information and opinions in this paper.
            America, entitled “Mural de la Hermandad,” in which Chiu   Availability of data
            expresses through art his idea of the annihilation of the
            border between Mexico and the United States, in favor of   Not applicable.
            a world without barriers or obstacles between humans. 13  References
              Following the natural course of these works or pieces,
            production (legal and illegal) and conservation (vandalism,   1.   Consejo Para la Cultura y las Artes de Nuevo León, 2019.
            destruction, or conservation), exhibition (public or private   Presentan Programa de Callegenera. Festival de Expresiones
                                                                  Urbanas 2019. Available from: https://conarte.org.
            open spaces), depending on the origin (graffiti artist, urban   mx/2019/07/15/presentan-programa-de-callegenera-
            and mural artist or institutional sponsor or community),   festival-de-  expresiones-urbanas-2019 [Last accessed on
            among other variants of analysis in connection with   2022 Jan 27].
            economic, cultural and social capital, turns this urban   2.   Lindón A. The city and the urban life through urban
            production into an object of study of interest for sociology,   imaginaries. EURE (Santiago). 2007;33:7-16.
            the arts, architecture and philosophy, as well as other
            disciplines.                                          doi: 10.4067/S0250-71612007000200002
              It is a complex reality that must be analyzed from an   3.   Hora  Cero.  Artistas Urbanos Llenarán la Ciudad de
            interdisciplinary perspective to know the true impacts that   Callegenera.  Hora Cero; 2020.  Available  from:  https://
                                                                  horacero.com.mx/vida-y-cultura/artistas-urbanos-
            these interventions are capable of causing both for the artist   llenaran-la-ciudad-de-callegenera  [Last  accessed  on
            or writer and for the community and the urban context.  2022 Jan 27].

            Acknowledgments                                    4.   Azteca21 Media.  The first Urban Expressions Festival
                                                                  “Callegenera,” a forum for popular culture, is held; 2011. Available
            The authors extend the acknowledgments to Popular     from: https://n9.cl/99yvv [Last accessed on 2025 Jan 2].
            Cultures of CONARTE, especially to Lic. Alberto Méndez,
            for allowing them to venture into this fascinating world,   5.   Arroyo M. Reconocen Expresiones Urbanas en el Festival de
                                                                  Monterrey. Monterrey, Nuevo León: La Jornada; 2011.
            and especially to the artists and writers who have given
            their support in the present work.                 6.   Cárdenas TH. La ciudad desde la cultura, la cultura desde la
                                                                  ciudad. The city from the culture, the culture from the city.
            Funding                                               Anu ININCO Invest Comun. 2014;25:309-336.

            The current work stems from the research project titled   7.   Ramírez Rodríguez M, Rodríguez Camelo LV, de los
            “La creación muralista del Festival de Expresiones Urbanas   Ángeles Celis MA, Rozo García HA. Graffiti as an artifact
                                                                  city communicator: A literature review. 2017;15:77-89.
            CALLEGENERA como consumo artístico cultura” funded
            by the Programa de Fomento a Proyectos y Coinversiones      doi: 10.15665/re.v15i1.812
            Culturales, under the 35-2019 issue.               8.   Lefebvre H.  La Revolución Urbana. Madrid: Alianza
                                                                  Editorial; 1971.
            Conflict of interest
                                                               9.   Carr S, Stephen C, Francis M, Rivlin LG, Stone AM. Public
            The authors declare that they have no competing interests.  Space. United Kingdom: Cambridge University Press, EFE;
                                                                  2019.
            Author contribution
                                                               10.  Gobierno de Nuevo León.  Reconocerán manifestaciones
            Conceptualization: Adris Díaz Fernández               artísticas urbanas en Callegenera. Nuevo León: Gobierno de
            Writing – original draft: Adris Díaz Fernández        Nuevo León; 2016.
            Writing – review & editing: Rodrigo Ledesma Gómez,   11.  Aragón E. Identidad Urbana en América Latina a Través del
               Yadira Nieves Lahaba, Ana Cristina García-Luna     Grafiti. Ciudades Sostenibles; 2017. Available from: https://
               Romeo                                              blogs.iadb.org/ciudades-sostenibles/es/identidad-urbana-


            Volume 3 Issue 2 (2025)                         9                                doi: 10.36922/ac.2864
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