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Arts & Communication                                         Digital AI transformation of the Chinese art industry



            responses. These interviews were conducted between May
            2023 and February 2024. In order to assess broader digital
            trends  in  the  contemporary  art  industry,  the  questions
            posed to arts professionals differed from those posed to
            visual artists. Table 2 presents information about the arts
            professionals interviewed.
              Interviews were conducted in person at the artists’
            studio, art galleries, or art museums,  online through
                                            24
            videoconferencing,  and in writing through email,
                           21
                                                          3
            depending on the interviewee’s preference. The researchers
            recruited interviewees through snowball sampling.
            Initial contacts were made through visits to art galleries   Figure 1. Age of survey participants
            and art museums in Shanghai, where researchers were
            based. Conversations with arts professionals (members
            of staff or independent visual artists) were initiated by
            sharing information about the research project and asking
            interested individuals to participate in the research. After
            each interview, the researchers requested interviewees
            to share additional contacts of arts professionals. The
            researchers also reached out to art community founders to
            ask for contacts of potential interviewees. Initial contacts
            acted  as  gatekeepers;  however,  as  all  interviewees  were
            from different organizations or were independent artists,
            no official “site” gatekeeper approval was required. All
            interviewees provided consent to be included and named
            in this paper.
                                                               Figure 2. Gender of survey participants
              Next, a survey was administered to professional
            contemporary visual artists in China between February
            and April 2024. The goal was to determine when artists
            started using digital technologies and when they first used
            AI, which digital tools and AI software they currently use,
            and their experiences of using AI. The survey contained 35
            questions, and 110 participants completed the survey. The
            sample was stratified to include only professional Chinese
            contemporary visual artists living and working in China.
            The survey was distributed through social media platforms
            and nationwide online art groups, including Yimo art
            group, RaidenINST, Super Topic of Digital Art, and Super
            Topic of New Media Art on Weibo. The survey was shared
            in these online groups, forums, and super topics after
            permission was obtained from group administrators.
            Participants accessed the survey through a QR code, which
            directed them to an introduction page that outlined the
            research and its aims, explained key terms in the survey,
            and described the participation criteria. Participants
            provided consent by ticking a box.  Figures  1-3 present   Figure 3. Residence location of survey participants
            details about the age, gender, and residence of the survey
            participants, respectively.
                                                               industry, cultural development, digital development, and
              The researchers conducted a systematic review of   AI. The keywords used for sorting and filtering documents
            government policies implemented between 2016 and 2023.   included  “digitization,” “cultural development,” “AI,”
            The review covered topics such as the contemporary art   “digital technology,” “contemporary art industry,” “artists,”


            Volume 3 Issue 2 (2025)                         4                                doi: 10.36922/ac.3822
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