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Arts & Communication Self-portraits as masks

Author contributions London: Maureen Paley; 1997.

This is a single-authored article. 13. Belting H. Face and Mask: A Double History. Princeton:
Princeton University Press; 2017. p. 19.
Ethics approval and consent to participate 14. Apted M, Slyce J, Ferguson R, et al. Gillian Wearing. London:

Not applicable. Phaidon; 1999. p. 102-109.
15. Wearing G, Rabinowitz CS, Parker W. Gillian Wearing on
Consent for publication Her Album Series (2003). Parkett No 70. 2004. p. 125-126.

Not applicable. 16. Décimo M, editor. Marcel Duchamp and Eroticism.
Cambridge: Cambridge Scholars Publishing; 2021.
Availability of data
17. Duchamp M. Not Seen and/or Less Seen of/by Marcel
Not applicable. Duchamp/Rrose Selavy 1904-64. New York: Cordier and
Ekstrom; 1964.
Further disclosure
18. Duchamp M. Duchamp’s female alter ego subsequently
The author is an independent researcher who is an expert assumed the role of author of aphorisms, Duchamp under
in Theory and Critic of Contemporary Art. the pseudonym Rrose Sélavy. Sanouillet M, editor. Duchamp
du signe: Ecrits. Paris: Flammarion; 1994.
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19. In her writings, Cahun consistently refers to herself as elle
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doi: 10.30965/9783846752210 on us must be thought in terms of intensity rather than
12. Paley M, editor. Gillian Wearing - Signs that Say What You affect, because we cannot reestablish the individual life or
Want Them to Say and not Signs that Say What Someone Else. life-world which is their point of reference in the reality.

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