Page 23 - IJPS-9-3
P. 23

International Journal of
            Population Studies                                                      Re-conceptualizing music education



            the micro approach of understanding life as a personal   attention, including music educators, to focus on questions
            experience  alongside  macro factors, such  as historical   concerned with how this prolonged lifespan can be spent
            time and place of individuals in particular age cohorts   in a most self-determined and meaningful way.
            (Hunt, 2017). This ontological pluralism is advantageous   There is no single definition of how a person experiences
            also for the considerations of older adult music education,   aging or when old age begins. Some aging theories articulate
            as it abandons the expectations of  old age identity  and   continuity and others change (Hunt, 2017, p. 259). Some
            considers social transformation and personal experience   older  people  might  look  for continuity,  simultaneously
            (Hunt, 2017).                                      finding it difficult to come to terms with the physical,
              Bengtson et al. (2012, pp. 10–12) designate five principles   psychological,  and  social  changes  of  aging.  They  might
            for the life course perspective. The first one is “linked lives,”   develop a disintegrated identity or a passive-dependent
            which refers to the recognition of interconnectedness and   identity, which means that they have little confidence in
            fluctuation in human relationships. Interestingly, it has   their own abilities to cope with on a daily basis. Some
            been predicted that transformations in home and work   individuals develop a defended identity through which
            relationships will foster more intergenerational friendships   they live independently but are fearful of growing older
            as  people  from  different  age  groups  may pursue similar   and fight to stay fit and youthful in ways that may engender
            lifestyles (Gratton & Scott, 2017, p.14). We find this concept   stress  and  disappointment.  Change,  on  the  other  hand,
            of ‘linked lives’ relevant to music participation being   refers to how many older people actively seek to meet new
            related to life course experiences, and the idea of music   people and reappraise themselves through new challenges,
            being  deeply embedded  with social connection rather   which plausibly have positive or negative consequences,
            than excluding older adults in their own silo. The second   thus developing an integrated identity. They retain their
            principle  emphasizes  the  impact  of  social  and  historical   personal integrity and  optimism  while  accepting  that
            contexts on individuals’ lives, which again strengthens   growing old is inevitable (Hunt 2017, p. 265).
            our understanding of social connection as an underlying
            value attached to music learning and the idea of life history   1.1.2. Justifications for music education in older adult
            based on how earlier life-course experiences related to   life course
            music influence later modes of participation.      Adult education is becoming increasingly important
              The  third  principle  reminds  us  of  the  (sometimes   for economic, social, and political reasons (Biesta  et al.,
            unpredictable) life transitions and their timing that   2011). At the same time, while lifelong learning has been
            connects to music as self-fulfillment and personal growth,   acknowledged as an important part of educational policies
            for example, the potential of music learning in navigating   and  strongly  recommended, for  instance,  by  UNESCO
            significant transitions, such as retirement from work.   (Faure et al., 1972), it is increasingly understood in terms
            Referring to  the well-established  health and  well-being   of economic development and formation of human capital,
            discourse in music (MacDonald et al., 2016), we argue that   in other words, through a neoliberalist agenda, rather than
            music may have more substantial potential as a vehicle for   as a personal good and an inherent aspect of democratic
            protection, resilience, and strengthening self-knowledge   life. According to educational theorist Gert Biesta, this
            rather than “traditional” health effects. The fourth principle   transformation “is not only visible at the level of policy; it
            stresses agency, in other words, the significance of having a   also has had a strong impact on the learning opportunities
            sense of control over making decisions that affect personal   made available to adults, partly through a redefinition
            change and continuity – hence, issues of identity become   of what counts as legitimate or ‘useful’ learning” (Biesta,
            central to questions of navigating a long life, including   2006, p. 169).
            the capacity to develop oneself, make individual choices,   The recent changes in the lifelong learning discourse
            and navigate through transitions, self-fulfillment, personal   also raise important questions for music educators as to
            growth,  and  also  a  developmental  possibility.  The  fifth   why older learners remain so widely underserved by our
            principle highlights that aging and personal development   educational institutions that generally are thought to be
            is cumulative: relationships, behaviors, and life events   open and inclusive. While several projects providing musical
            have consequences for later life statuses, relationships, and   activities for older adults are taking place, they are mostly
            well-being. This principle seems to connect health and   residing within the field of community music. However,
            well-being with valuable lifelong experience, resulting in   community music as such is lacking critical reflection
            a self-defined definition of well-being derived from music   and scholarly analysis of its pedagogical principles. The
            learning and participation. These changes in experiences   individual and social meanings of adult music learning that
            and perceptions of the life course are fostering increasing   justify its pedagogical relevance have not yet been seen as so


            Volume 9 Issue 3 (2023)                         17                         https://doi.org/10.36922/ijps.383
   18   19   20   21   22   23   24   25   26   27   28