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Journal of Chinese
            Architecture and Urbanism                                          Tourist perception of calligraphic landscape



            landscape helps define and identify places. It serves as an   (n = 326), and “Calligraphy-history” (n = 182) align with
            important medium through which tourists  perceive  and   the  high-frequency  terms  “history”  (n  =  206),  “culture”
            define spaces. In tourist descriptions, the perception of the   (n = 190), and “art” (n = 129). When engaging with the
            calligraphic landscape focuses on specific, representative   calligraphic landscape, tourists tend to closely associate
            places, indicating that the degree of place perception of   its meaning with aspects of history, culture, and art. The
            the landscape environment by tourists may be influenced   overall perception of the calligraphic landscape is reflected
            by the subjective attributes of the landscape. Compared to   in the symbolism and cultural connotations represented by
            everyday scenes, tourists tend to perceive higher heritage,   the symbolic landscape.
            esthetic,  and  cultural  values  in these attractions.  As a   Calligraphic landscapes act as symbols of regional and
            result, attractions are often considered synonymous with   local cultures. Landscapes with calligraphic elements are
            calligraphic landscapes (Zhang et al., 2012) (Figure 4).  easily recognized as visible representations of a particular
              The sub-nodes of China, history, culture, art, and   culture. The content and events recorded in calligraphic
            tradition represent the perceived characteristics of the   works are often seen as reflections of local culture. Most
            calligraphic landscape, with cultural symbols forming   Chinese tourists identify culturally with calligraphy,
            the main content. Co-occurrence frequency results   considering it one of the most important factors in
            for “Calligraphy-culture” (n  = 379), “Calligraphy-art”   traditional Chinese culture. For example, most overseas
                                                               Chinatowns  use Chinese  calligraphy to  decorate  their
                                                               streetscapes, highlighting the community’s distinctive
                                                               features and helping identify specific Chinatown areas.
                                                               Research  by  Van  Ostade  et al.  (2023)  demonstrates  that
                                                               the symbolic function of calligraphy plays a key role in
                                                               expressing Chinese identity in overseas Chinatowns.
                                                                 The red cluster class is the densest and most populated
                                                               cluster class in the overall network  graph. Based on the
                                                               textual information represented by the nodes in this
                                                               cluster class, we summarize two primary dimensions: place
                                                               identification and cultural symbolism. This analysis indicates
                                                               that, in the overall perception of the calligraphic landscape,
                                                               calligraphy plays a general role in shaping the definition of
                                                               place and the understanding of culture. Culture is the outer
                                                               factor of the five major influences on human perception and
                                                               experience of landscape (Craik, 1986). As a cultural sign,
                                                               the  calligraphic  landscape  is an important  factor in  how
                                                               local landscapes are perceived (Zhang, 2003). The various
                                                               cultural functions of calligraphy are expressions of cultural
                                                               values through the calligraphic landscape. Calligraphic
                                                               landscapes are combinations of symbols that require deeper
            Figure 3. Co-occurrence network relationship diagram. Source: Diagram   interpretation within specific contexts. Context, being
            by the authors (created with Gephi)
                                                               the  environment  in  which  symbols  are  used,  is  the  most
                                                               important factor in determining their meaning and limits
             A                     B
                                                               the uncertainty of symbols to a certain extent.
                                                               4.2.2. Calligraphy perception based on heritage value
                                                               The green cluster class reflects the experience of landscape
                                                               and heritage, with core vocabulary related to the physical
                                                               environment and place type of the calligraphic landscape.
                                                               Sites such as the forest of steles, the former residence, the
            Figure 4. Calligraphy tourist attractions. (A) Calligraphic landscapes in   city wall, the bell tower, and the academy gate left a deep
            historic districts. Source: Photo by the authors (2021). (B) Calligraphic   impression on visitors. Further analysis of the text content
            landscapes in natural environments. Source: Photo by Fujianzhoubianyou
            (available at https://mp.weixin.qq.com/s/LLswzi5_0_5KJksMSUQ6tw)   associated with these core words shows that this cluster of
            (2024)                                             Xi’an heritage tourism spaces exhibits strong correlations.


            Volume 7 Issue 1 (2025)                         7                        https://doi.org/10.36922/jcau.3825
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