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Arts & Communication Speculative ubimus design

designs for post-2020 music-making present complex References
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Acknowledgments Ubiquitous Music Group.
None. 7. Messina M, Keller D, Aliel L, et al., 2022, The internet of
musical stuff (IoMuSt): Ubimus perspectives on artificial
Funding scarcity, virtual communities and (de)objectification.
INSAM J Contemp Music Art Technol, 9: 26–50.
The research reported in this paper was partially funded by https://doi.org/10.51191/issn.2637-1898.2022.5.9.26
the Brazilian Council for the Development of Science and
Technology (CNPq 308790/2021-9] to D.K. 8. Dourish P, Bell G, 2011, Divining a Digital Future: Mess
and Mythology in Ubiquitous Computing. Cambridge, MA:
Conflict of interest MIT Press.
The authors declare that they have no competing interests. 9. Tenney J, 1963, Sound-generation by means of a digital
computer. J Music Theory, 7: 24–70.
Author contributions https://doi.org/10.2307/843021
All the authors contributed equally to this work. 10. Thoret E, Caramiaux B, Depalle P, et al., 2021, Learning
metrics on spectrotemporal modulations reveals the
Ethics approval and consent to participate perception of musical instrument timbre. Nat Hum Behav,
5: 369–377.
Not applicable.
https://doi.org/10.1038/s41562-020-00987-5
Consent for publication 11. Aliel L, Keller D, Costa R, 2018, The Maxwell Demon:

Not applicable. A proposal for modeling in ecological synthesis in art
practices. Rev Música Hodie, 18: 103.
Availability of data https://doi.org/10.5216/mh.v18i1.53575

Tools and artistic products used in this work are available 12. Chakraborty S, Yaseen A, Timoney J, et al., 2022, Adaptive
from the corresponding author on reasonable request. Touchless Whole-body Interaction for Casual Ubiquitous

Volume 1 Issue 2 (2023) 14 https://doi.org/10.36922/ac.1597