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Arts & Communication





                                        ARTICLE
                                        Creativity and cyanotype: Exploring camera-less

                                        photography as an alternative for art education



                                        Anubis Mendez  and Ricardo Lopez-Leon *
                                                     1
                                                                            2
                                        1 Arts and Culture Center, Autonomous University of Aguascalientes, Aguascalientes, Mexico
                                        2 Design Sciences Center, Autonomous University of Aguascalientes, Aguascalientes, Mexico



                                        Abstract

                                        This article presents the results of several workshops developed as a Master of Arts
                                        dissertation project from the Autonomous University of Aguascalientes in Mexico.
                                        The project explored cyanotype, a different photographic printing technique that
                                        diverges from chemical photography, and the possibilities of incorporating it in
                                        art education programs.  The workshops aimed to introduce emerging artists to
                                        cyanotype – a camera-less photography technique and a low-cost creative process
                                        to explore visual expression. The emerging artists were exposed to the concept of
                                        cyanotype in a series of 9-h workshops, in which they learned the theoretical and
                                        technical fundamentals and some of the artworks of the leading artists who work
                                        with this technique. The workshops also showcased cyanotype prints on traditional
                                        and non-traditional surfaces. We also gathered, from a qualitative perspective, the
                                        experiences of the participant artists, their impressions, and feedback. At the end of
                                        the paper, we discuss the visual language of cyanotype and its process characteristics
                                        that make this technique an excellent alternative for art education since it provides
            *Corresponding author:      creative engagement to the participants and requires little investment from the
            Ricardo Lopez-Leon          facilitators.
            (ricardolopezleon@gmail.com)
            Citation: Mendez A,
            Lopez-Leon R, 2023, Creativity and   Keywords: Creative process; Cyanotype; Visual expression; Visual literacy; Art education
            cyanotype: Exploring camera-less
            photography as an alternative for art
            education. Arts & Communication,
            1(2): 1453.
            https://doi.org/10.36922/ac.1453  1. Introduction: A Master of Arts dissertation workshop-project
            Received: August 4, 2023    This paper outlines the creation and implementation of an innovative approach to art
            Accepted: October 8, 2023   education using cyanotype, a camera-less photography technique, for the development
            Published Online: November 7, 2023  of  low-cost  artistic  projects.  The  paper  commences  by  elucidating  the  theoretical
                                        framework and design of the workshop. Subsequently, it delves into practical aspects,
            Copyright: © 2023 Author(s).
            This is an Open Access article   detailing the  workshop’s  physical  setup,  the  structural  organization  of  the  sessions,
            distributed under the terms of the   materials used for cyanotype prints, and feedback received from participants. Afterward,
            Creative Commons Attribution
            License, permitting distribution,   we discuss some of the results and present four artworks printed on different surfaces
            and reproduction in any medium,   and the assembly process to showcase the final works in a local gallery. We gathered
            provided the original work is   several participant comments about their experiences with the cyanotype process. This
            properly cited.
                                        paper ends with a personal reflection on the project’s development, discussing the results
            Publisher’s Note: AccScience
            Publishing remains neutral with   and the possibilities of cyanotype as a creative practice for art education.
            regard to jurisdictional claims in
            published maps and institutional   The project is part of a Master of Arts dissertation from the Autonomous University
            affiliations.               of Aguascalientes, Mexico. In this project, we explored cyanotype as an alternative for


            Volume 1 Issue 2 (2023)                         1                         https://doi.org/10.36922/ac.1453
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