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Arts & Communication                                                      Cognition and cultural mediation



              Cultural mediation is a collective construction in which   additional  information  are  provided,  generating  both
            the mediator, the viewer, and the artwork occupy the same   understanding and esthetic appreciation is still possible.
            space and simultaneously share experiences that stem   Leder  et al.  investigated the influence of the title
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            from their own perception. These experiences expand the   on the interpretation of artworks, in particular on the
            interpretative possibilities offered by an exhibition or an   appreciation of paintings. They presented a total of 48
            artwork.                                           paintings, which comprised 24 figurative and 24 abstract
              The presentation of texts in an exhibition can help   paintings. The figurative paintings represented styles from
            to contextualize the artwork by providing information   the 1900s to the 1930s, such as Expressionism and Cubism.
            about the artists and the period in which the artwork   In these paintings, one can recognize scenes of buildings
            was created, and by making connections between     and landscapes. The abstract paintings represented
            historical periods, materials, and techniques used by the   Expressionism created between 1950 and 1990. The
            artists. The texts available in exhibitions introduce the   researchers designed two experiments to test  temporal
            subject matter by presenting data about the artists and   variations in esthetic appreciation by comparing the effects
            providing explanations for the selection of artworks.  At   of descriptive titles and detailed titles for artworks during
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            the same time, they can interfere and lead the viewer to   short and long presentation times. Forty-eight individuals
            a particular interpretation and influence their experience   (mean age of 26.2 years), who participated in this study,
            of the artwork.  According to this understanding, texts   were exposed to all paintings. In the first experiment,
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            and titles that accompany an artwork can be considered   abstract paintings received higher comprehension ratings
            semantic priming and influence the viewer’s appreciation   when accompanied by detailed titles, and descriptive
            of the art. By understanding how the presentation of   titles did not improve comprehension ratings of the work.
            information  can  influence  the  audience’s  interpretation   However, when viewing time was limited to 1 s, descriptive
            of an artwork, educational programs can develop better   titles improved comprehension more than detailed titles
            mediation strategies.                              did. The presentation of the artist’s name and title led to a
                                                               stronger involvement and perception of the works by the
            2.2. Semantic priming                              participants.
            In the context of mediation in visual arts, the concept   In the second experiment, where the paintings were
            of  priming  can  help  us  to  better  understand  how  a text   presented for a short duration (1 s), the descriptive titles
            influences the viewer’s interpretation of an artwork.   significantly facilitated the understanding of the painting
            Priming (or pre-activation) is a cognitive process that   compared to the detailed titles. In presentations with
            sensitizes the individual to a specific, previously presented   a medium duration (10 s), the detailed titles increased
            stimulus. Priming therefore occurs when the presentation   comprehension more than the descriptive titles did. In
            of previous stimuli influences later cognitive processes. 12,13    this way, the researchers were able to determine that
            The presentation of the text in the mediation process can   the way participants interpret the artwork depends on
            be regarded as semantic priming. In semantic priming, the   the type of information (whether it is descriptive or
            presented stimulus is associated with textual information.   detailed). Descriptive information can help to classify
            In the specific case of this research, this can be the text that   artworks in situations where a quick judgment needs to
            accompanies a painting. Primings influence future actions   be made. However, in the more realistic situation, where
            by unconsciously evoking attitudes or behaviors.  In the   the viewer perceives the paintings for a longer time, the
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            same way, the stimulus that accompanies the artwork can   understanding  of  the  works  is  better  if  the  information
            influence the viewer’s perception.                 presented is more detailed. Well-prepared information can
              There are studies that aim to understand the influence of   therefore lead to better results and understanding of the
            semantic priming on the appreciation and understanding   artwork, affording the viewer a more in-depth experience
            of works. The study by Knoos  et al.  has demonstrated   of cultural mediation.
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            the importance of the additional information and titles of   We would like to highlight the comparison between
            an artwork. For the authors, additional information that   the present study and the research of Belke et al.  Using
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            explains the artwork can arouse the interest of laypeople.   a “cross-modal” method, they investigated the influence
            However, understanding complex information necessitates   of semantic priming, represented by different titles of the
            huge knowledge, potentially preventing laypeople from   same work, on the interpretation of paintings. Twenty
            getting to know and appreciating the artwork. Another   psychology students (including 17 women) were presented
            important finding from the study was that even if the   with 24 paintings in three different styles (cubist, abstract,
            artwork  appears  inexplicable although  the title  and   and figurative). Each painting was randomly presented


            Volume 2 Issue 3 (2024)                         3                                doi: 10.36922/ac.2105
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