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Arts & Communication                                                   Contemporary Greek typeface design



            most recent typeface creation, “Touvlo,” has been honored   Table 1. Demographics and professional expertise of the 12
            with the Communication Arts Award of Excellence  for   Greek typeface designers
            typeface  design. Embracing the ethos of giving back,   Demographics and professional expertise  n
            Emilios is passionate about engaging with young designers
            and frequently conducts workshops on type design and   Gender
            emerging technologies. He possesses a diverse educational   Men                                9
            background, having graduated from EsadType in type   Women                                     3
            design, complemented by a multidisciplinary foundation   Location
            including a bachelor’s degree in mathematics and a master’s   Designers based in Greece        9
            degree in  digital  arts.  Emilios is  also an  enthusiastic   Designers based abroad          3
            collector of type specimens, often drawing upon them for   Field of work
            consultation, research, and inspiration.
                                                                Design original Greek typefaces           10
              George Triantafyllakos (https://backpacker.gr/) earned   Redesign historical Greek fonts     6
            his PhD in participatory design of educational software   Expand existing typefaces to support the Greek language as an   7
            from the Computer Science Department at the Aristotle   individual designer
            University of Thessaloniki, Greece, and completed his BSc   Collaborate with foreign designers or type foundries to expand   8
            in the same department. In September 2015, he established   existing typefaces and provide support for the Greek language
            the Atypical type foundry (https://atypical.gr/) and has
            contributed to designing typefaces for the Greek Font
            Society. In 2017, he was part of the design team that won   type foundries or as independent designers, they have
            the competition for the new visual identity of the National   achieved a high level of specialization in type design for
            Library of Greece, alongside George D. Matthiopoulos,   the Greek language. They have created original typefaces
                                                               or expanded existing fonts to support the Greek script,
            Dimitris Papazoglou, and Axel Peemöller. That same year,   offered consultations to foreign designers on Greek
            he served as a member of the jury committee for the Greek   typography, and researched and revitalized historical fonts,
            Graphic Design and Illustration Awards. In October 2019,   highlighting tradition as a crucial element of type design
                                    th
            he received an award at the 11  GRANSHAN Type Design   for a specific writing system. Although most of these
            Competition for his work on the Dolce Noir type family.   designers are based in Greece, three of them – Aimilios
            His  page  features  a  catalog  of  all  the  commercial  and   Theofanous, Natalia Qadreh, and Eleni Beveratou – reside
            custom fonts he has developed, including free-to-use fonts.
                                                               in London (at the time of the research), where they work
              Irene Vlachou (https://www.ivtype.com/) completed   for major international foundries. These positions provide
            her  master’s degree  in  type  design  from the  University   them with opportunities to gain experience in various
            of Reading in 2004. Subsequently, she commenced    scripts, connect with an international clientele, and
            collaborations with international type foundries and   undergo training in the font software production process.
            corporations, assuming roles as a type designer and Greek   Today, fonts are essentially software, shifting the role of a
            type consultant. From 2013 to 2019, she was a senior   designer to that of a developer. The designers in Greece also
            designer and variable font expert at Type-Together. Some   participate in international collaborations, bolstering the
            of  her  remarkable  projects  during  this  tenure  include   reputation  of  Greek-type  design  globally.  Collaborations
            Colvert, Parmigiano, and Stratos. In 2017, she cocreated   with foreign foundries or designers are seen as beneficial,
            Bradford Greek for Documenta’s corporate identity.   fostering the exchange of knowledge and experiences,
            In  addition,  she  co-established  FauxFoundry  in  2019,   which is inherently educational.
            specializing in webfont services featuring variable fonts.   The subsequent discussion is based on the data collected
            Since 2017, she has volunteered as a mentor for Greek-type   through the interviews conducted, organized according to
            design during the Google Summer of Code, representing   the sections delineated in the research tool (open-ended
            the Greek Open-Source Community. Since January 2020,   questionnaire; Appendix).
            she has returned to full-time freelancing, concentrating on
            Greek and variable fonts.                          5.1. Typeface design

            5. Discussion                                      Designers view types as integral to visual communication,
                                                               a tool that efficiently conveys messages to the recipient
            The  12  Greek  typeface  designers  who  participated  in   and influences their choices. The relation with visual
            this study have made significant impacts both in Greece   communication is reciprocal; type choices shape graphic
            and internationally (Table  1). Whether working for   design, and design trends affect font production. Types


            Volume 3 Issue 1 (2025)                         6                                doi: 10.36922/ac.3133
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