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Global Health Econ Sustain                                            Resilience, income, artists, COVID-19



            v.  The ten-item Conner-Davidson Resilience Scale   totals, and composite variables. To determine the relative
               (pre-CD-RISC-10)  emphasizing “prior-to-pandemic   impact experienced by participants, items reflecting
               resilience,” phrased as applicable before the onset of   stimulating and inhibiting art activities were ranked
               the pandemic, for example, “Able to adapt to change   separately based on their means.
               before the pandemic.”                             Resilience scores before and during the pandemic were
            vi.  Twenty-six  art  activity items that  captured  the   compared using the paired t-test, and the effect size was
               experienced impact of the pandemic on participants’   calculated using Cohen’s delta with Hedge’s correction.
               a) commitment to art activities; b) productivity in   One-way analysis of variance was used to examine
               their art activities; c) social connection; d) engagement   associations between descriptive categories, resilience,
               in their art activities; e) financial implications; and,   and composite variables for stimulating and inhibiting
               f) perceived changes in their art activities.   art activities. The relationships between resilience and the

              The questionnaire addressed variables for categories   composite variables were examined using linear regression
            4 – 6 above in 46 items. These were phrased in Likert-scale   analysis. Fisher’s exact test was performed to compare the
            format, ranging from one “not true at all” to five “true   income of participants before and during the pandemic.
            nearly all the time,” except for the CD-RISC-10 scored   In all statistical testing, the alpha value was set at 0.05. The
            conventionally from zero to four.                  Statistical Package for the Social Sciences version 26 was
                                                               used for the statistical analyses.
              The 46-item questionnaire was categorized sequentially
            as follows: Current resilience (items 1 – 10); resilience   2.4. Ethics approval
            before the pandemic (items 11 – 20); questions relating
            to artistic activities (items 21 – 46). The artistic activities   Written  informed  consent  to  participate  in  the  study
            questions were then sub-categorized into stimulating (18   was  obtained  from  each  participant  using  an  informed
            items) and inhibiting (8 items) impacts.           consent document designed specifically for this study
                                                               and approved by the Research Ethics Committee. Ethics
              These items were further categorized as follows:  approval was obtained from the Faculty of Health Sciences
            i.   Productivity in art activities (4 items, e.g., “Have been   Research Ethics Committee, and the study was performed
               more productive artistically due to the pandemic”).  in accordance with the 2013 version of the Declaration of
            ii.  Commitment to  art activities: Stimulating (5 items   Helsinki.
               e.g., “Have spent more time in art activities due to
               the pandemic”) and inhibiting (4 items, e.g., “Have   3. Results
               difficulty initiating or getting going with art activities   3.1. Descriptive features
               due to the pandemic”).                          A total of 109 artists completed the survey. Their
            iii.  Social connection and engagement in art activities:   demographic  characteristics are  presented in  Table  1,
               Stimulating (5 items, e.g., “Found new ways of   which includes information on participants’ age, gender,
               collaborating with others in art activities due to the   main  art  field,  art  domain,  highest  qualification,  and
               pandemic”) and inhibiting (3 items, e.g., “Been feeling   employment status. The majority of participants were self-
               lonely in my art activities due to the pandemic”).  employed, female, with a postgraduate qualification in the
            iv.  New artistic ways and modalities (3 items, e.g., “Have   performing arts.
               ventured  into  new  modalities  or  ways of doing  art
               activities due to the pandemic”).               3.2. Resilience
            v.  Financial implications (2 items, e.g., “Have been using   Table 2 presents the mean scores for resilience before
               art activities in new ways to address financial pressures   and during the pandemic. There was a statistically highly
               due to the pandemic”).
                                                               significant decrease (t-test = 7.631; p < 0.001) of 4.82 (95%
              Composite scores for items in each of these categories   CI = 3.57 – 6.07) in the mean resilience scores before and
            were derived by summation as follows:              during the pandemic.
            •   Resultant impact = The cumulative scores of inhibiting   There were no statistically significant differences in
               impacts were subtracted from that of stimulating   resilience scores based on gender, art fields, art domains of
               impacts.                                        activity, years since obtaining a first tertiary qualification in
                                                               an art discipline, employment status, or income before the
            2.3. Statistical analysis                          pandemic. Resilience scores before the pandemic were not
            Means and their corresponding 95% confidence intervals   statistically significant when considering qualifications and
            (CI) were calculated for each Likert-scale item, instrument   income. However, during the pandemic, participants with


            Volume 1 Issue 1 (2023)                         3                        https://doi.org/10.36922/ghes.0911
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