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Journal of Chinese
            Architecture and Urbanism                                          Cultural exposition of architectural heritage



                                                               It reveals how architecture assembles the people, making
                                                               them feel part and parcel of a specific culture with a
                                                               shared history, as reflected in the design of the building. In
                                                               Pingyao architecture, spirituality is expressed through the
                                                               emotions and cultural spaces it creates. This is particularly
                                                               evident in religious sites such as temples, shrines, and
                                                               related buildings, which embody the beliefs and values
                                                               of the people, effectively telling the story of the city. Such
                                                               spiritual elements contribute to the esthetic elevation of
                                                               Pingyao.
                                                                 These dimensions are integrated within the model, and
                                                               this integration helps elucidate the concept of architectural
                                                               culture. The social and spiritual aspects are related to the
                                                               idea of deploying both material and immaterial factors of
                                                               architecture to share and recall culture and civilizational
                                                               heritage. Through this approach, several observations can
                                                               be made about the cultural valuation of architecture.

                                                                 In the model, the outer concentric circles symbolize
            Figure 4. The cultural exposition model. Source: Liu (2023)  the influence of ideology, social relations, and material
                                                               technology on architectural culture. On the one side,
            a nation. By emphasizing architectural culture, the model   there are the forms and signification of buildings, while
            aims to define what it means to embrace and signify culture   on the other side, there are relations of domination that
            through the built environment.                     inform the spatial organization and function of a structure.
                                                               Material technology determines the behavior and lifecycle
              The material aspect pertains to the use of materials,   of existing built forms, as well as the performance of specific
            techniques, structures, forms, styles, and ornaments in   facilities. These forces shape and confirm architectural
            architecture. This dimension reveals how the physical   culture, demonstrating how this concept is dynamic and
            features of structures reflect the architectural technology   interconnected with extrinsic conditions.
            and cultural artifacts of the time. For instance, the larger
            and more complex structures, ornate detailing, and bright   The  cultural  exposition model seeks to  combine
            colors in Pingyao historical city showcase the creative and   the  connotations  of  traditional  culture  with  a  modern
            technical skills of the builders. These material characteristics   value system to discover a more original approach to
            not only preserve the  architectural structures but also   redefining and revitalizing architectural design. In doing
            reflect the culture of different eras, including technological   so, the model offers an open and complex framework
            and artistic developments of past times.           to  address architectural  heritage from  different  angles
              The social aspect focuses on the functions and role   and scales, supporting historical culture while engaging
            of architecture in society. It examines how spaces define   with contemporary cultural creation and advancement.
            social activities,  represent  social dynamics,  and play   This approach not only helps preserve the cultural and
            manifold  cultural  roles.  This  involves the  architectural   historical uniqueness of architecturally and constructively
            roles in coordinating social ethical frameworks, as well   significant structures but also enhances their applicability
            as the impact of architecture on political and economic   and importance in the context of modern urbanization.
            systems. In Pingyao, buildings are conceived not just as   6. Case study: Pingyao historical city
            constructions but as entities with social characteristics
            and purposes that regulate social activities, address   6.1. Material dimension
            social differences, and even contribute to social progress.   The material aspect of architectural heritage in Pingyao
            This dimension highlights the role of social interactions   historical city reflects both conformity to ceremonial
            and people’s activities in the formation and evolution of   regulations and cultural significance. Historically, the city’s
            architecture.                                      structure, including its walls, the organization of streets,
              The   spiritual  dimension  addresses  questions  and the construction of buildings and other architectural
            concerning the spiritual, social, memory, identity,   features,  aligns  harmoniously  with  Chinese  planning
            heritage, and esthetic values of tangible cultural heritage.   principles and their historical context.


            Volume 6 Issue 4 (2024)                         7                        https://doi.org/10.36922/jcau.4189
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