Page 96 - AC-2-1

Arts & Communication Esthetics in wényán and modern báihuà poetry

Conflict of interest 6. Ministry of Education of the People’s Republic of China.
The Table of General Standard Chinese Characters; 2013.
The authors declare that they have no competing interests. Available from: http://www.moe.gov.cn/jyb_sjzl/ziliao/
A19/201306/t20130601_186002.html [Last accessed on
Author contributions 2024 Feb 12].
Conceptualization: All authors 7. Yip W. Zhong Guo Shi Xue [Chinese Poetry]. China:
Investigation: Zhe Feng, Weiyi Wang Huangshan Shu She; 2016.
Methodology: Zhe Feng, Weiyi Wang 8. Zhao G, Von Flotow L. Translating iconicities of classical
Formal analysis: Zhe Feng Chinese poetry. Semiotica. 2018;2018(224):19-44.
Writing – original draft: Zhe Feng
Writing – review & editing: Zhe Feng doi: 10.1515/sem-2016-0206
9. Zhang X, Lin J. Between modern and postmodern:
Ethics approval and consent to participate Contemporary Chinese poetry from the outside in. J Mod
This study received ethics approval from the Research Lit. 2021;44(2):34-48.
Ethics Board of University of Toronto, as required by doi: 10.2979/jmodelite.44.2.04
University of Toronto Scarborough’s SONA platform 10. Liu JJY. Chinese Theories of Literature. Chicago: University of
through which participant recruitment took place. Written Chicago Press; 1975.
informed consent was obtained from each participant in 11. Sun CC. Pearl from the Dragon’s Mouth: Evocation of Scene
the study.
and Feeling in Chinese Poetry. United States: University of
Consent for publication Michigan Press; 1995.
doi: 10.3998/mpub.19024
Written informed consent was obtained for the publication
of each participant’s data. 12. Han J. Shi yi yu ti wu: Guan yu zhong guo gu dian shi ge de xie
zhen yi shu chuan tong [The art of poetry and the “depicting
Availability of data after the objects”: About the tradition of artistic description
in the classic Chinese poetry]. Lit Herit. 2005;2005(2):29-40.
Data are available from the corresponding author on
reasonable request. 13. Chen J. The late Qing poetry revolution: Liang Qichao,
Huang Zunxian, and Chinese literary modernity. In:
Further disclosure Denton KA, editor. The Columbia Companion to Modern
Chinese Literature. New York: Columbia University Press;
Part of the findings has been presented as a talk at the 2016. p. 89-96.
International Association of Empirical esthetics (IAEA) 14. Yang H. A Modernity in Pre-modern Tune: Classical-
in 2018 and as a poster at the Canadian Psychological Style Poetry of Yu Dafu, Guo Moruo, and Zhou Zuoren.
Association (CPA) in 2020. Dissertation. Cambridge: Harvard University; 2008.

References 15. Lan L. The origins and historical development of the
modernist poets. In: Manfredi P, Lupke C, editors,
1. Nemerov H. Poetry. United Kingdom: Encyclopedia Manfredi P, Trans. Chinese Poetic Modernisms. Netherlands:
Britannica. Available from: https://www.britannica.com/art/ Brill; 2019. p. 21-37.
poetry [Last accessed on 2023 Aug 23].
16. Manfredi P, Lupke C. Introduction. In: Manfredi P, Lupke C,
2. Cooper R. Language Planning and Social Change. Cambridge: editors. Chinese Poetic Modernisms. Netherlands: Brill; 2019.
Cambridge University Press; 1990.
p. 1-17.
doi: 10.1017/CBO9780511620812
17. Chen X. Misunderstanding” Western modernism: The
3. Chen P. Modern Chinese: History and Sociolinguistics. menglong movement in post-Mao China. Representations.
Cambridge: Cambridge University Press; 1999. 1991;35:143-63.
doi: 10.1017/CBO9781139164375 doi: 10.2307/2928720
4. Norman J. Chinese. Cambridge: Cambridge University 18. Larson W, Wedell-Wedellsborg A. Inside Out: Modernism
Press; 1988. and Postmodernism in Chinese Literary Culture. Denmark:
Aarhus University Press; 1993.
5. Ministry of Education of the People’s Republic of China.
Compulsory Education System Over the Standard on the 19. Sona Systems. Sona Systems: Cloud-based Participant
th
Subject of Chinese. 2011 ed. Beijing: People’s Education Management Software. Lane Bethesda: Sona Systems,
Press; 2011. Ltd. Available from: https://www.sona-systems.com [Last

Volume 2 Issue 1 (2024) 11 https://doi.org/10.36922/ac.1825