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Arts & Communication                                           Hybrid music and ethnicity in Quangang Beiguan



            issue], second cover). It compares Beiguan with Nanyin,   the orchestra helped to negotiate an agreement between
            the latter included in the United Nations’ the Representative   conflicting villages by using cultural and artistic exchanges
            List of the Oral and Intangible Cultural Heritage of   as a starting point .
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            Humanity.  However,  this  kind  of  statements  are  only   In conclusion, there are three reasons why Beiguan can
            attributed to people who play Beiguan. The Nanyin circle   thrive in Quangang. The first reason, as stated above, is the
            never gives this any credit. It can be seen that Beiguan   positive, direct and concrete benefits of Beiguan to local
            players pride themselves on their music, which represents   people. Second, Beiguan is also a driving force behind
            inter-sensibility. Accordingly, locals respect and are   the economy which also benefits the music. In earlier
            receptive to Beiguan.                              times, Beiguan performances were just musician’s self-

              According to people from Quangang, people were   amusement. Later, Beiguan ensembles were hired to follow
            only accessible to a narrow choice of entertainment in the   corteges. Their lively performance rendered the funeral
            past. “Parents were afraid that their children would take up   processions more solemn. As a result, a market emerges for
            gambling and become addicted to drugs during the slack   Beiguan. Third, the inclusion of Beiguan into the National
            farming season. Therefore, these parents spontaneously   List of Intangible Cultural Heritage of China endows locals
            initiated stringed and wind instrument practices, which   with a sense of collective honor, such that people are more
            attracted a large crowd of spectators across age groups and   committed to the inheritance and development of Beiguan.
            genders. The participatory spectatorship motivated the   Moreover, the devotion of government departments,
            musicians .” “Until now, many elder artists still have fond   experts, and scholars to Beiguan also improves how people
                   44 40
            memories of that period, saying “when I just started to learn   perceive Beiguan.
            Beiguan, I was so intoxicated with it that I forgot to have meals   People’s love for Beiguan, a symbol of inter-sensibility,
            sometimes. I didn’t have the time to think of gambling .” After   can be exemplified by their words and deeds. For example,
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            analyzing the lyrics of 57 Beiguan songs, Lin Jinhui argues   Zhuang Bingwen studied Beiguan since he was a child, and
            that Beiguan champions patriotism, nature, and harmony,   later joined the Hui’an County Gaojia Theatrical Troupe
            which embodies a traditional Chinese philosophical concept   and  became  the  head  of  the  troupe.  However,  he  always
            — unity of Heaven and humanity — and demonstrates   “regarded Beiguan as an unforgettable cultural memory.”
            adamant humanistic ideals, open-mindedness, spiritual   Therefore, he founded Quangang District Jinxiang Beiguan
            toleration, empathy, righteousness, and innovation . These   Art Ensemble in 2010 . Another example is Zheng Huihui
                                                   46 42
                                                                                50 46
            lyrics convey an upbeat and uplifting message, which is the   who graduated from Quanzhou Art School with a higher
            emblem of inter-view and inter-sensibility.        vocational degree as a Beiguan major. Now a primary
              Acquiring a skill might lead to unexpected help. For   school music teacher, she teaches Beiguan at the Beiguan
            example, Guo Zongxing (1923 – 1989), a native of Fengwei,   Research Centre every weekend. Zheng believes that “the
            fled to Singapore when he was young to avoid conscription.   more you know about Beiguan, the more you like this art
            Because he could play many Beiguan instruments, he was   form .” Huang Jiahui, director of the Quangang Cultural
                                                                   51 47
            helped and held in high regard by music club members   Centre, says that “in Quangang, you don’t need to know
            from Hokkien Huay Kuan, Hui Ann Association,       Nanyin, but you must know Beiguan, because it is unique
            Kwangtung Hui Kuan, and other establishments in    to Quangang and help people know Quangang .” Besides,
                                                                                                    52 48
            Singapore . Zhuang Lizhi won the favor of officers and   Quanzhou was designated as a sub-venue for the 2016
                    47 43
            soldiers during the Republican Era of China because of his   CCTV Spring Festival Gala, and Sidajing, a Beiguan piece,
            superb skills in stringing and playing. This enabled him to   was performed. Although the show did not last long and the
            “play a role in solving difficulties for himself and saving   rehearsal came close to the record for lowest temperature
            others .” Beiguan can also resolve conflicts. Allegedly,   (reaching 1 degree Celsius), everyone was in high spirits.
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                                                               “The appearance of Beiguan in the Spring Festival Gala
            44.    See “Hui’an Beiguan” by Beiguan Editorial Committee,   is the glory of Quangang, and it is also a milestone in the
               Quanzhou, Fujian provincial volume, in  Anthology of
               Chinese Instrumental Music, edited by Wang Fengzhang,   49.    From “Artistic Resources of Quangang Beiguan” by Lin
               China ISBN Centre, 2008, p. 15.                    Guochun. China Beiguan (first issue), 2015, vol. 1, p. 25.
            45.    Ibid., p. 19.                               50.    See  “The  Champion  of  the  Inheritance  and  Innovation
            46.    See “Humanism in Quanzhou Beiguan” by Lin Jinhui. China   of Quangang Beiguan: On Zhuang Bingwen, leader of
               Beiguan, 2015, vol. 4, pp. 25-28.                  Quangang District Jinxiang Beiguan Art Ensemble” by
            47.    See “Beiguan Artists and Ensembles” by Gu Chuan.   Zheng Qiming. China Beiguan, 2015, vol. 4, pp. 43-48.
               Quangang Beiguan Music. Chinese Literature and History   51.    See “The Flower of Beiguan Blossoming in Quangang” by
               Press, 2002, p. 78.                                Wang Shuai. China Beiguan, 2015, vol. 4, p. 7.
            48.    Ibid., p. 80.                               52.    Ibid., p. 8.


            Volume 1 Issue 1 (2023)                         10                         https://doi.org/10.36922/ac.419
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