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Arts & Communication                                                 Strategies for handicraft video cognition















































                         Figure 10. Selected frames from series 2 of the short videos on Guangcai porcelain. Image created by the authors.

            video series revolved primarily around the appreciation   learning process. Users could express their understanding
            of modern Guangcai porcelain pieces (Figure 11). Visuals   and interpretations of Guangcai porcelain culture through
            and narratives were carefully arranged in this video series   their  personalized creations.  Thus, this  video  series
            to  help  the  audience  build  complete  cognitive  schemas   achieved the goals of education related to traditional
            of sensory experiences and knowledge representations.   handicrafts while stimulating viewer creativity and honing
            Thus, this series strengthened the understanding and   the practical abilities of audiences.
            appreciation of viewers about the layered connotations of   5.3.4. User feedback
            Guangcai porcelain culture.
                                                               The feedback on the Guangcai porcelain short video series was
              A link to a mini program on Guangcai porcelain   overwhelmingly positive. A group was selected from viewers
            customization was embedded at the end of the videos in   of short videos to collect user feedback. This group of viewers
            this series to offer viewers a platform through which they   was invited to view the three Guangcai porcelain video series
            could engage in personalized customization and augment   and interviews were subsequently conducted with them.
            their overall understanding of Guangcai porcelain culture.
            This mini program (Figure 12) enabled users to customize   The selected viewers praised the engaging and
            their  creations,  facilitating  active  participation  and   informative  content,  highlighting  the clarity of  the
            creativity during the learning process. Users could create   visual and narrative elements. Many users noted that the
            unique original works by freely selecting visual elements   incorporation of interactive features significantly enhanced
            and personalizing texture designs on 3D models. The   the learning experience, making the complex craftsmanship
            system constructed an interactive learning environment   techniques more accessible and understandable.
            through natural human-computer interaction by offering   The character of the Guangcai porcelain spirit Caicai
            positive feedback and interactive offline content during the   was especially well-received. Users felt that this character


            Volume 3 Issue 2 (2025)                         15                               doi: 10.36922/ac.3252
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